Do you remember with fondness a time when big
hair was in, and non-competitive dance shows were all
the rage? Even if you don’t remember those days with
a certain degree of fondness, The Cape Fear Regional
Theatre has a show that’s right up your alley —
Hairspray!
On Saturday, Jan. 22, an exuberant cast is going
to Mashpotato, Pony and ChaCha their way into CFRT
history with its stellar music, amazing dancing, laughout-
loud comedy and thought provoking look at life in
the ‘60s.
For those not familiar with show, the year is 1962.
Dancing on the Corny Collins Show is all the rage
in Baltimore, and big hair is in. For Tracy Turnblad,
who will be played by University of North Carolina at
Pembroke student Amy Rowland, dancing on the show
is her only desire, and when that dream comes true, she
goes from social outcast to super star. Instead of basking
in her new found fame, she takes the opportunity to
vanquish the mean girls, win the heart of her crush
and integrate a TV network all in one fell swoop. If the
thought of doing that all at once leaves you breathless,
wait until you see the energy packed show that is powered by the enthusiasm of the
cast.
“I have really high expectations for this performance,” said Tom Quaintance,
the director of the show. “We have a fantastic cast that has been working very hard.
It’s really a great show. It’s really well cast. I think the audience is going to love it.”
For Quaintance and the cast, the show is still a work in progress. Rehearsals
started during the holidays, which left Quaintance three and half weeks to put the
show together.
“We took a look at the schedule, and because it is such a big show, we
arranged to have four or fi ve rehearsals for dance and vocal to give the folks who
were local a leg up,” he said, adding that throughout the duration of the rehearsals,
there has only been one day (for just fi ve minutes) that the whole cast has been at
the rehearsal at once.
Those early rehearsals did not include Rowland or Richard Pruitt, who is
playing Tracy’s mother, Edna. Pruitt, the elder statesman of the cast, is the only
member of the cast from New York.
“Over the past few years, I’ve gotten used to being the oldest person in most
shows that I am in,” said Pruitt. “Admittedly this is an extremely young cast. I
remember saying a couple of nights ago to Molly’s dad, Ken Griggs (who is also in
the play), ‘I guess I was that young once. I can’t remember it. I’m sure I was that
young once, but never that energetic.”
The majority of the ensemble has been cast from colleges across the state,
although many members of the CFRT are in the cast, including Ken Griggs and his
daughter, Molly.
“It’s fun to see people who are not jaded,” said Pruitt. “Sometimes in theater,
especially in New York, you see a lot of people who are burned out. That isn’t the
case here, it’s all very upbeat.”
“One of the challenges of the show is that it’s a very heavy dance show. People
are dancing as hard as they can and singing as hard as they can. People are really
working hard and it’s paying off,” said Quaintance.
Because the show is so demanding, the cast really does not get a break.
Quaintance explained that as soon as one group goes off stage, they are singing in
support of the people on stage.
The show is choreographed by Todd Smith, a member of the original
Hairspray Broadway cast. This show will also feature the original staging and
choreography, which presents its own challenges in a theatre the size of the CFRT.
“There are some challenges with the staging, but I love this space,” said
Quaintance. “It’s a great size. With the size of this cast, you are really in the
audience’s laps, so it’s so exciting.
“I’ve long been a believer that the pinnacle of musical is not Broadway. The
best expression of musical theatre comes from young people. Musicals succeed or
fail based on the pure joy that the performers have on stage. That’s what its about,”
continued Quaintance. “Being up there, loving what you are doing and meaning it.
If you are able to do that with a young cast, and tap into that energy, and then have
the kind of professionals like Richard that bring the stability, focus and craft that
they have, it’s going to be justthrilling.”
While the show is a comedy, it tackles some very serious issues.
“At the end of the day, it’s a relationship play. It’s a
musical about love and acceptance,” said Quaintance.
“When we were doing ‘I Know Where I’ve Been’, it’s hard
to get through. It’s so emotional. You can get lost in how
much fun the show is while you are putting it together
and miss the really serious social situation that the play
is taking place under. We were able to step back and talk
about racism and how it has affected all of us. I’m proud
that people aren’t leaning into the wacky part of it, and
losing those relationships.”
“When we fi rst got into that big scene, we talked
about it for a while, and made connections on how
we would approach it,” said Rowland. “While we are
singing that song, we aren’t just holding hands, we
are connecting. It’s a very emotional process. We are
experiencing it all together. We are not alone. It’s pure
emotion.”
CFRT’s production of Hairspray runs from Jan.
20-Feb.13. The box offi ce is open. Tickets are $12/14
– Preview on Thursday, Jan. 20 and Friday, Jan. 21;
$27 – Fridays and $29 Saturdays; $22 – Wednesdays,
Thursdays and Sundays. Show times are 8:15 p.m.
Fridays and Saturdays; 7 p.m. Wednesdays, Thursdays and Sunday evening.
Saturday and Sunday matinees are at 2 p.m. CFRT’s traditional discounts of $1
are available for seniors 55 and older, active duty military and their dependants
on Wednesdays, Thursdays, Saturday matinees. There is a Military Appreciation
Night on Thursday, Jan. 27. All active-duty military members and their families will
receive $3 off the regular ticket price. For more information, visit
www.cfrt.org