Twenty years ago when Holden Hansen came up with
the idea to stage The Best Christmas Pageant Ever, he had
no idea it would become a Fayetteville holiday tradition.
But, in keeping with the enduring story that is told in the
play, the annual production of The Best Christmas Pageant
Ever (BCPE) has made its way into the hearts of the
literally hundreds of area children who have performed in
the show, and it has helped to form who they have become
today.
On Dec. 9, the show will open for its 20th season,
and Up & Coming Weekly thought there could be no better
time to celebrate the show, its casts and the warmth it
brings to our holiday season.
“I often joke with Bo (Thorp) that if I had known the
play would have ran this long I would have made her sign
a contract so I would get residuals,” said Hansen during a
recent telephone interview.
Hansen, a professor of theater at the University
of North Carolina at Pembroke, was very involved in
children’s theater in the late ‘80s. When Thorp approached
him about doing a Christmas performance, he immediately
thought about the BCPE.
“I had directed the play in Waterloo, Iowa, for a
children’s theater back in 1983,” he said. “It’s just a
brilliant play for anybody who has a program that involves
kids on stage. In fact, I think the reason it is brilliant is that
art imitates life — it’s a play about putting on a play with children. All the kids don’t
have to act — they just have to be themselves. It’s very truthful in that sense.
Hansen said that children involved in theater learn a lot of the social skills they
need in life.
“They learn deadlines, organization, how to work together. I think they learn
things about themselves, and they learn how to communicate,” he said. “These are
the kinds of things that any human being needs to learn to succeed. I find the same
thing to be true of college students. Quite a number of my students have explained to
me that they have this confidence to function in the world that they didn’t have before
they were involved in the theater.”
As to why the play has become interwoven in Fayetteville’s holiday fabric,
Hansen noted, “The Best Christmas Pageant Ever is a great story. It touches a chord
in people. We often look at the less fortunate as a pariah in our society, so we love
to watch these Herdmans succeed. We see their humanity when Imojean sort of
becomes enrapt in the beauty of the Christmas story. It just resonates through the
theatre. It coincides with the spirit of Christmas — it’s all about love isn’t it?”
Jenny Beaver was just 12-years-old when she fi rst performed in The Best
Christmas Pageant Ever. She was cast as the first “Beth” in the play, and kept that
role for the following four years.
“We rehearsed in some old building downtown that didn’t have any
heat,” Beaver recalled. “I remember
thinking I was really big time, because
I was rehearsing for this play in that
old building.”
That was just one of many shows
Beaver would perform in at the CFRT, but
looking back, it still holds a very special
place in her heart.
“Since I’ve moved back home, I’ve
seen it about three times. My sister, Laura,
who was also in the show, has never seen
it since she stopped being in the play. I
hold “Beth” close to my heart, and she
holds Gladys close to hers. We talked and she said she just couldn’t watch anyone
else being Gladys because she loved it so much,” said Beaver.
For Beaver, seeing the show brings back the memories of lessons learned on
the stage and friendships made. “Growing up in the theatre taught me that not
everybody in the world is like me. Because we grow up in the same neighborhoods
and go to the same schools, we form our cliques. Theater opened a door to a whole
new group of people for me — people I probably wouldn’t have been friends with.”
She noted that while each director and each cast tries
to make its mark on the show, it actually changes little.
“The Best Christmas Pageant Ever is just perfect.
The story
is so straight to the point. I don’t think you have to add any
updates; they just distract from the story.”
The story she’s referencing, for those who have not seen
the show yet, is that of the Herdmans. They are the meanest
kids in town. When they get a chance to takeover the church
Christmas play, they do it with a vengeance. While many sat
back and waited for the play to fl op, it actually turned out to
be... well, you know.
“Beth’s final speech always makes me cry, and I love
when Imojean looks at the baby and she actually understands
‘Unto you a child is born,’” continued Beaver. “I love it when
Beth talks about how the Herdmans changed because of the
play. Because it gives you a chance to see that people are
good — you just have to give them a chance to be good.”
Broadway performer Grady Bowman, who was in the
first two BCPEs, looks back at the show fondly.
“I played Claude Herdman my first year and Charlie the
second year,” said Bowman, who is currently performing in
Billy Elliot on Broadway. “As a kid, getting up with the other
kids to do something we all loved was great.”
Then, it was just something to do around the holidays,
but after seeing the play a couple of years ago, Bowman has a
different perspective on it.
“I really didn’t get the impact of the show until a couple of years ago when I
was home and I went to see it,” he said. “I looked at it as an outsider and was just
overwhelmed by the meaning and the story.”
He recalled that the excitement that Hansen brought to the production resonated
through the cast. “Because he was so
excited to do the play, it made us as excited
and made us want to do what he wanted us
to do,” he said. “Really the CFRT, and plays
like the BCPE, are the basis for what I am
doing today.”
Tommy Walsh, 17, and currently
playing Ralph in the production, has been
in the BCPE for eight years. The show
helped launch his CFRT career, where he
has performed in more than 10 shows and
participates in the Performance Troop.
“I love being on stage, being goofy and
wacky, expressing my thoughts on stage and watching the audience react to it,” said
Walsh. “Being in the theater has taught me to express myself better and be myself —
there’s no judging, you can just be who you are.”
Laurel Flom, 15, who is playing Beth in the current production, concurs with
Walsh. “This is my sixth year doing BCPE. Each year is different, the people are
who make the show. It’s really fun going to rehearsals. It’s a very open atmosphere.
Everybody accepts everybody else. Being in theater has made me a more wellrounded
person. It opens you up to a lot of situations and people.
“You make a lot of different kinds of friendships with a lot of different people.
They are the people you have fun with. They accept you. You don’t have to worry
about holding back, you can dance like a fool and everybody will join you.”
For John Burton, now 10, his first exposure to the BCPE was when he was just
4-years-old. The normally active toddler sat silent and still throughout the play. As he
exited the theater with his mom and dad, he said, “I want to be a Herdman.”
“I just loved that play,” he said. “I thought it looked like so much fun, and the
people who were in it looked like they were having fun. So every year after we would
see it, I would ask to try out. Last year, I was a shepherd and it was everything I
thought it would be. This year, I’m Claude Herdman. I want to be in the play as long
as they will let me.”
The BCPE opens on Thursday, Dec. 9 and runs through Sunday, Dec. 19.
Tickets are $12 for adults and $10 for children. For tickets and more information,
visit www.cfrt.org.