There is a distinct joyfulness in the watercolors and oil paintings of Joanna
McKethan. Brilliant colors and highly detailed subjects exude states of grace,
sensation and sentiment.
Visitors to Gallery 208 on Rowan Street, Thursday, November 18, will be
able to get a preview of the exhibition Works by Joanna McKethan and meet the
artist between 5:30 and 7:00 p.m. The artist will be speaking at 6:00 p.m. to
give visitors to the reception insight into her journey as an artist.
McKethan resides in Dunn, North Carolina, and has a studio and business
in Dunn where she has taught painting for
many years. A regular visitor to Fayetteville,
some of her local activities include being a
juror for the Fayetteville Art Guild, studying
printmaking with Silvana Foti at Methodist
University and winning two Regional Artist
Grants at the Arts Council of Fayetteville
and Cumberland County.
I met the artist recently during
her gallery talk after she had juried a
competition for the Fayetteville Arts Guild.
Seeing an exhibition of her work only
affi rmed what I already knew of the artist
from that initial meeting, she was highly
trained and able to verbally discuss works
of art in a critical manner.
In addition, what I see in her exhibition
is a body of work that refl ects a personality
that was communicated during her gallery
talk — exuberance and competence.
No matter what the subject she is painting, still lifes or landscapes, there
are several underlying themes in her work — one is the unfolding of beauty.
McKethan calls her style “playful realism,” but I sensed much deeper meaning
when I viewed her body of work. For me there is something always unfolding
for us to discover among her subjects of feathers, leaves, bubbles or old letters.
In talking to McKethan, she affi rmed her intuitive approach to painting;
response overrules planning. In many of her works the placement of objects
unifi es the composition, all the pieces fit to make a whole that results in a type
of truth for the viewer.
The abundance of beauty in McKethan’s paintings invites contemplation.
We are immediately drawn to the color and the subject; the signifi cance of play,
balance and harmony are spring boards to the essence of meaning in her work.
The inner harmony of McKethan’s paintings is subtle; the truth in her work
is revealed by the way she has come to terms with her environment with selected
interest and is presenting that discovery to us. In the process of painting, the
artist has attained equilibrium with her environment, one that brings new and
fresh adjustments for the viewer.
For example, a magnolia leaf in McKethan’s painting is not simply green or
brown, but for McKethan is “layers of bronzed metallic colors.” McKethan stated,
“I see the depth of the color, not just color in terms of brightness.”
The artist shows us a new environment from the familiar. Her objective study
of the objects in her still lifes becomes an experience that moves away from the
descriptive and aligns itself with interpretation — equilibrium is always present.
A well trained artist, McKethan’s experience in art spans thirty years.
She studied art at the University of North Carolina at Chapel Hill, but left
the university with a BS in Philosophy. While living in Germany, McKethan
undertook three years of Old Masters training in oils by a German master,
Bergheim and watercolor training at the University of Munich Extension by a
Polish master, Leon Jonczyk.
Some of her awards include the Salis International Award from the 59th
Juried Exhibition in Boone, NC, the Silver Brush
Award for the 25th Southern Watercolor Society
Anniversary Exhibition in Baton Rouge, LA, two
Regional Artists Grants from the Fayetteville
and Cumberland County Arts Council and the
Purchase Award from the Watercolor Society of
North Carolina in Cary.
When not being exhibited in galleries and
competitions around the country, McKethan’s
paintings hang at two of her galleries, j’Originals’
Art Studio at 126 East Broad Street in Dunn and
at Art on Broad Atelier at 217 East Broad in Dunn.
In the McLeod Gallery at Up & Coming
Weekly, local artist A. Jones Rogers will also be
having a reception of a solo exhibition of his
watercolors.
A. Jones Rogers has been exhibiting his large
format watercolors in Fayetteville galleries for
many years, so I welcome a body of his work to
be viewed at one time. Rogers is known for his
close attention to detail, panoramic views of local sites and historical moments
in time.
Rogers’s watercolors seem to be more about the details of a moment. In
all of his work I feel as if I am in the moment of his experience. Seeing details
through the eyes of the artist, I scan his watercolor surfaces as he creates form
and story with particulars, information and fi ne points of color and light.
Like McKethan, Rogers has received many awards for his watercolors; one
of his recent awards was a fi rst place award last year for Cargill Plant in the
Fayetteville Arts Council’s Cultural Expressions competition and a first place
award in this years competition at the Cape Fear Studios on Maxwell Street.
People attending the reception will be able to meet this enigmatic artist. I
have seen his large scale watercolor for years in exhibitions, yet only recently
met the artist. So for people familiar with the work, it is their chance to hear the
artist talk about his work and his journey as an artist. For those unfamiliar with
his work, it will be a perfect time to meet an accomplished local, realist artist.
The two exhibitions compliment each other. Both artists are a testimony
to the types of knowledge we can experience as an artist translates and
manipulates a similar medium.
The public is invited to Gallery 208 in the offi ces of Up & Coming Weekly
at 208 Rowan Street, Nov. 18 at 5:30 p.m. to attend the opening of these two
exhibits. Both artists will be present to talk about their work; exhibitions will
remain up throughout the month of December.