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  •     Responding to new data this week from the U.S. Census Bureau on income, poverty and health insurance, some politicians and commentators noted that North Carolina posted improvements but still had far to go to reach the national average.
        That’s mostly true, and worth chewing on a moment, but later I’ll suggest that there’s an even more-important message in the new statistics.{mosimage}
        A troubling characteristic of North Carolina’s political culture is what I like to call the “Blarney Tradition.” Over the past century, our leaders have shown themselves to be excellent marketers. But they haven’t been as skilled at delivering the goods. There’s been a gap between the talk and the walk.
        Here’s a fact you won’t see trumpeted in press releases and political speeches: since the mid-1990s, North Carolina’s economic performance has been lackluster. In some measures and time periods, we’ve lagged the national average. On others, we’ve matched or slightly exceeded the average but been outpaced by regional rivals such as Virginia and Florida.
        Take income. While the new Census report studies median household income, that measure is affected not just by earnings but also by changes in household composition. On the purer measure of income growth, average income per resident, only six states had a worse showing from 2000 to 2007 than North Carolina did. As for unemployment, since July 2000 there’s been only one month — January 2005 — when North Carolina’s jobless rate was not higher than the average for Southern states. During most of these months, our jobless rate also exceeded the national average, as it did in July 2008. Now, there’s plenty of room for public-policy debate about causes and solutions. Advocates of cutting taxes and shrinking government budgets can point to states such as Florida and Texas that outperform North Carolina and have substantially lower tax burdens and marginal tax rates. Advocates of more spending on education and social services can point to the better-than-average growth experienced by big-government states such as New York and Maryland.
        The data show that poverty is highly correlated with three variables: education, family structure, and work. Those who drop out of high school, have children out of wedlock, and fail to place at least one family member into full-time, year-round employment have a high risk of being poor. About two-thirds of families headed by single parents who don’t work full-time are poor. High-school dropouts are twice as likely as high-school graduates to be poor.
        On the other hand, parents who graduate, marry, and work full-time have a low incidence of poverty. Among married families with at least one full-time worker, the poverty rate is 3.8 percent. If both parents work full-time, the rate is less than 1 percent.
        This is not to say that public policy has no role in affecting individual decisions about education, marriage, and work. For example, our public schools fail to impart basic skills to many youngsters, placing them years behind their peers, and then fail to provide good options to high-school students who don’t see themselves as college-bound. But before political partisans get carried away blaming specific policies or politicians for broad economic trends, they should take seriously the idea that government’s ability to determine social outcomes is limited.
        Many fateful decisions are made by individuals when they are young, inexperienced, and uninformed. The goal should be to help them make better decisions. That’s a difficult enough task without expecting government to plan our way to economic utopia.
  •     Scam artists and other dishonest businesses try to take advantage of consumers of all ages, but seniors can be special targets because they’ve built up a lifetime of savings and may be more trusting. One of the worst kinds of scams pressures seniors into spending their savings on living trusts and annuities that many of them don’t even need.
        My office recently won court orders against two companies that ran a living trust and annuity scheme in North Carolina. American Family Prepaid Legal and Heritage Marketing and Insurance of California are now banned from selling to North Carolina consumers.
        These companies targeted seniors and used tricky sales practices to sell them living trusts and annuities. The two companies worked together, visiting seniors at home and pressuring them to pay $1,995 for a living trust by preying on fears about the costs of handling their estates.
        {mosimage}Once the paperwork for a living trust was finished, a sales agent delivered it and tried to convince the consumer to buy insurance products such as annuities. Some seniors were talked into putting their entire life savings into annuities, a poor investment choice for most seniors.
        For example, a sales agent convinced one Charlotte couple to cash in their investments and put all of their savings into an annuity he told them would earn 7 percent interest. But the agent never told them the interest rate was guaranteed for only one year and that they would pay steep penalties of nearly 20 percent if they needed to withdraw their money.
        A senior from Cary got talked into cashing in an IRA worth tens of thousands of dollars to purchase an annuity. She told the sales agent that she depended on monthly payments from the IRA to cover her living expenses. The sales agent failed to tell her that switching to the annuity would cut her monthly income from $1,700 to less than $300.
        We’ve stopped these two companies from preying on any more North Carolina seniors but there are other scammers out there using some of the same tricks. Here’s how you can keep yourself and your loved ones from being hurt by any similar schemes.
        Never buy anything you don’t understand.
        Don’t make a quick decision about investment offers or changing insurance policies. Ask an independent professional and read all forms completely before you agree to sign.
        When a loved one dies, don’t be pressured into making major financial decisions or purchases right away.
    Be wary if a sales person says “it’s a special opportunity but you have to keep it secret,” or urges you to “act now” while using phrases like “limited offer,” “risk free” or “tax-free offshore investments.”
        When considering a living trust, check with an attorney first to see if a living trust meets your needs.         Living trusts are not one-size-fits-all documents, so before committing to any financial opportunity or agreeing to cash out your investments, consult with a trusted professional adviser, such as a lawyer or an accountant.

    If you or a loved one has been a victim of a scheme to take seniors’ savings, let us know about it. Call my Consumer Protection Division toll-free in North Carolina at 1-877-5-NO-SCAM.
  •     If you’re a man who cringes at the word “ball,” don’t worry... this is one ball you’re going to be more than happy to accompany your spouse or significant other to. The 3rd annual Blue Jean Ball and Chair-ity Auction is a fun, laid back family event that will keep you in good graces all year long.
        The Blue Jean Ball, which benefits The Child Advocacy Center, is slated for Saturday, Sept. 27, at Highland Country Club. And, the event is exactly what its name implies. To attend you don’t have to dress up or even wear a tie. Simply climb into your faded jeans — the more faded the better — grab your family and head over to the club for a night of food, music, dancing and art — lots of art.
        “All families are welcome,” said Sandy Ammons, a volunteer with The Child Advocacy Center. “This is the third year of The Blue Jean Ball. It has grown tremendously since last year, when we went from making $3,000 to $43,000.”
        Ammons said the community is already buzzing about the event. “What’s so great about this event is that you can do it with your children,” she said. “A lot of events are either geared toward children or they are geared toward adults. This is both. The children will have their own party with a deejay, dancing and food, and adults will have the same, as well as the auction.”
        The auction, like the event, is unique. It showcases chairs that are actually pieces of art.
        The number of artists participating in the event has more than doubled this year. In addition to the chairs, artists will also be offering paintings, clay pots, metal tubs and more. And the chairs will also be as eclectic. There will be the traditional straight-back chairs, Adirondack chairs, stools and much more.
        In addition to the more well-known artists in the community, there will also be some celebrity artists. Mayor Tony Chavonne as well as other members of the Fayetteville City Council will create works for the auction. County Commissioner Breeden Blackwell is contributing a different kind of art — a backyard barbecue grill.
        “As you can see, it has grown tremendously in a lot of different ways,” said Ammons.{mosimage}
        One thing that has not changed is the involvement of volunteers in the planning of the event. A group of 20 middle school children have been working furiously to plan the event. According to Ammons, they’ve decided everything from the food to be served to the invitations. They are also creating works of art for the auction. But more importantly, they are becoming advocates for abused children in our community. “They’ve learned how to reach out to those children in our community who have been abused,” said Ammons.
        The event is chaired by Ginny Breece and Martha Spires.
        Tickets for the event are $25 per youth and $50 per adult. Tickets can be purchased by calling the Child Advocacy Office at 486-9700 or by downloading a ticket request from the Web site at www.childadvocacycenter.com.

    Janice Burton, Associate Publisher
    COMMENTS? 484-6200 ext. 222 or
    editor@upandcomingweekly.com


  •     For the past two years, the Fayetteville Symphony Orchestra has been operating outside the box. The symphony, under the direction of Fouad Fakhouri, has been reaching out to the community to try and introduce a new audience to the joys of symphony music.
        To date, the symphony has performed outdoors in Festival Park, gone into the schools and performed at a variety of special events in this effort. In a new venture, the symphony is asking its followers to have dinner with the orchestra at J. Wesley Vineyards and to attend a chamber concert
        The ultimate dinner and chamber concert evening is offered Friday, Sept. 19, and  features music by a talented trio of FSO Musicians: Robert Burkett (oboe), Rachel Harmatuk (violin) and Randy Ward (cello). Fakhouri, and the musicians, will be on hand offering guests a rare occasion to enjoy personal conversation outside of the traditional concert auditorium.
        {mosimage}A new piece, The Seductress, by Boston composer John Lawless will be premiered by the FSO trio. Additional musical selections include: London Trio II, George Fredrick Handel; Serenade, Wolfgang Amadeus Mozart; The Gift of Love, American folk tune arranged by Robert Burkett; Pie Jesu, Andrew Lloyd Weber arranged by Robert Burkett; and Duo K496A, Wolfgang Amadeus Mozart, also arranged by Robert Burkett.
        Continuous tours of the vineyard and wine tasting will begin at 6 p.m. Dinner prepared by The Invisible Chef will be served at 7 p.m., offering a choice of London Broil or Chicken Champlain.
        J. Wesley Vineyards will also be offering a 15 percent discount on wine purchases made the evening of the concert.
        Dinner/Concert tickets ($75 single tickets; $125 couple tickets) may be purchased by calling J. Wesley Vineyards at (910) 321-9463. Also visit them online at www.jwesleyvineyards.com.
        On Sunday, Sept. 14, the Fayetteville Symphony Orchestra will offer another free chamber concert at the Beth Israel Synagogue at 2204 Morganton Road, before their 52nd Subscription Concert Season, A Tour Around the World, opens in October. The concert begins at 4 p.m. with a reception to follow. Doors will open at 3:30 p.m. Along with a selection of chamber pieces, the orchestra will feature the following works: The Hebrides Overture, Op. 26, by Felix Mendelssohn, and, Overture on Hebrew Themes, Op. 34, by Serge Prokofiev.
    Marvin Feinsmith, one of the newest additions to the Fayetteville Symphony Orchestra, will make his debut performance with the orchestra.
        Feinsmith’s extensive performing experience includes principle bassoon with the Indianapolis Symphony, the Mozarteum of Salzburg and the Brooklyn Philharmonic; bassoon with Symphony of the Airand the Little Orchestra Society of New York; assistant bassoonist with the Denver Symphony Orchestra; and, co-principle bassoon with the Israel Philharmonic.
        Also a composer, Feinsmith’s music is profoundly influenced by his Jewish heritage. His Hebraic music includes two symphonies — Peerkay Avot-Ethics of the Fathers(Denver Symphony 1975 and 1976) and Isaiah(Kansas City Philharmonic 1979). He also has several film scores to his credit.
        Marvin Feinsmith is a native of New York City and attended the Julliard and the Manhattan School of Music as a scholarship student of Simon Kovar, graduating with bachelor’s and master’s degrees.
        Fakhouri noted, “I am extremely proud that the FSO is attracting such experienced talent from all over North Carolina and beyond. That we continue to draw highly talented professional musicians is a credit not only to the FSO but also to the continued growth and high standard of the arts and the cultural life of Fayetteville.”
        This free concert is funded through a Community Grant from the Cumberland Community Foundation.
        For more information please call the Fayetteville Symphony Orchestra at (910) 433-4690 or visit www.fayettevillesymphony.org.

  •     The military has, for good or bad, changed the face of Cumberland County. From blending driving styles to music, the diverse group of people who call Cumberland County home makes our community unique. In celebration of that diversity the Arts Council of Fayetteville/Cumberland County is sponsoring the 30th International Folk Festival.
        The event, which draws crowds to the streets to celebrate their heritage, is scheduled for Sept. 26-28. A big part of the event will be the September 4th Friday. In celebration of our community’s diversity, the Arts Council is asking: How does Unity in Our Community look from your perspective? Actually, how does it look through your lens?
        Share your photos through this juried photo competition at the Arts Council. Individuals may enter up to four photos with awards totaling $1,000. There are three separate categories for entries: black and white, color and digital/mixed-media. Winners will be announced on Sept. 26, with the photography remaining on display through Nov. 22.
        Photos may be submitted to the Arts Council, 301 Hay St., on Thursday, Sept. 11, from 8:30 a.m. to 5 p.m.; Friday, Sept. 12, from 8:30 a.m. to 11:30 a.m.; and Saturday, Sept. 13, from noon to 4 p.m. Entry fees are $20 for up to two entries ($15 for Arts Council members) and $25 for up to four entries ($20 for Arts Council members.)
        The competition is open to residents in Cumberland, Bladen, Harnett, Hoke, Lee, Montgomery, Moore, Richmond, Robeson, Sampson and Scotland counties as well as Fort Bragg and Pope Air Force Base. Entries must be framed with wire attached to the back. Sawtooth, loop or tag hangers will not be accepted.
        Entries must be original and not previously entered into any Arts Council exhibitions. Photographers will be notified by email of the juror’s selection. Declined entries may be picked up on Sept. 18, between 9 a.m. and 5 p.m.
        In addition to the photography show, there will be an outdoor concert in front of the Arts Council building featuring the Heritage Bluegrass Band.           
        For more information call (910) 323-1776, or download entry forms at www.theartscouncil.com.

    Janice Burton,
    Associate Publisher
    COMMENTS? 484-6200 ext. 222 or
    editor@upandcomingweekly.com


  •     The Fayetteville Museum of Art has been making a lot of headlines recently, but they’d rather people focus on their mission rather than the headlines. With that in mind, the museum is hosting a premier party on Friday, Sept. 12, for a new sculpture exhibit titled Sense of Place.
        Sense of Place features the sculptures of three East Carolina University professors: Carl Billingsley, Jodi Hollnagel and Hanna Jubran. The large-scale sculptures not only take up a great amount of space, they also require viewers to reinterpret their Sense of Place.
        Billingsley was born in Oklahoma and spent his formative years in a variety of locations as his father, a sergeant in the field artillery, was transferred from post to post. Three years in Germany made an indelible impression on Billingsley and he has returned to Europe as an adult many times. Billingsley teaches sculpture at the School of Art & Design, and has a very active exhibition schedule. Billingsley’s work can be found in collections and sculpture gardens from North Carolina to Wisconsin. He has permanent public sculptures in Norway, Israel, Estonia, Japan, China and Brazil.
        {mosimage}Billingsley’s recent works have focused on a renewed interest and exploration of color. “Having made numerous sculptures which were intended to maintain as direct a relationship to the process and material as possible and which were therefore not painted, I decided to change my focus from the material to the dynamic of color in the public realm,” said Billingsley in an artist statement. “I strive to utilize color as phenomenon and to bring the attention of the public to the many ways that color changes as the light changes and as the environment around the sculpture affects both the form and the color of the sculpture. Color is not a static, passive element in these sculptures.”
        Billingsley will be joined by his fellow instructors, who have something else in common. In addition to their art and academic pursuits, Jodi Hollnagel and Hanna Jubran are married. They own and operate J&H Studio Inc. Their lives are dedicated to art by teaching at East Carolina University, making and exhibiting their art and traveling around the world participating in international sculpture symposiums.
        Hollnagel has works on display both nationally and internationally. Some of her accomplishments include: a 22’ wing-spanned bronze eagle for the Jesse Helms Archive Center in Wingate; an 11’ bronze wildcat at Davidson College; a 12’ bronze Scotsman at Presbyterian College in South Carolina; a 13’ bronze Pirate at East Carolina University in Greenville; and a monument to a Century of Flight in Kitty Hawk. She is currently making a life-size bronze figure and bas-relief work for a Veteran’s Memorial in Asheville.
        Jubran’s work addresses the concepts of time, movement, balance and space. Each sculpture occupies and creates its own reality influenced by its immediate surroundings. The work does not rely on one media to evoke the intended response, but takes advantage of compatible materials such as wood, granite, steel, iron and bronze.
    He received his M.F.A. in 1983 in sculpture from the University of Wisconsin-Milwaukee and is currently a sculpture professor and sculpture area coordinator at ECU. One of his most recent commissions can be found on the campus of Fayetteville State University. It is a nine-segmented concrete sculpture and reaches 11 feet in height.
        While you visually take in the sculptures at the premier, you can also listen to the eclectic sounds of the Prayers and Tears of Arthur Digby Sellers, a band based out of Chapel Hill. The band has become something of a fixture at the museum’s openings, and will delight you with its delicate blend of acoustic guitar, keyboards and electronic mixing. Folksy and introspective, the band is in perfect compliment to the museum’s evening.
        The opening party begins at 6 p.m. Admission is free, but donations are encouraged and, according to museum officials, they are “happily accepted.”

    Janice Burton, Associate Publisher
    COMMENTS? 484-6200 ext. 222 or
    editor@upandcomingweekly.com

  •     Do you know what Esse Quam Videri means? Can you recite the state toast? And what’s so important about the Longleaf Pine? If you know the answers to those questions, you might be just who the Cape Fear Historical Complex is looking for.
        {mosimage}On Thursday, Sept. 25, The Museum of the Cape Fear Historical Complex will sponsor the first annual North Carolina Quiz Bowl. The event designed to test your knowledge of North Carolina history will be held in the museum’s multipurpose room.
        “In the past the museum has done a Civil War Quiz Bowl which has been very popular,” said Catherine Beach, the curator of research for the museum. “There are a number of contestants, as well as their supporters, who participate in the event.”
        Beach explained that while the Civil War Quiz Bowl focuses solely on the Civil War, this event will focus on North Carolina history and trivia. She noted that many people may not think of trivia — like what is the state dog — as history, but she maintains it is. She explained it tells a story about our state and its people.
        “Somebody with a good knowledge of North Carolina history would be the ideal contestant,” she noted. “We want to get them excited and to test their knowledge. With the Civil War Quiz Bowl, we have had high school students who have been very sharp and accurate and who have done very well in the quiz bowl.”
        She added that if your knowledge of our state’s past isn’t up to par, you can come and cheer on the contestants and pick up some interesting knowledge along the way. “A lot of people watch Jeopardy just for the knowledge they get from the questions,” she said.
        The event, which begins at 7 p.m., is free for all contestants and spectators, and all ages are welcome to participate.
        The North Carolina Quiz Bowl is limited to 20 participants. If you are interested in participating, call at (910) 486-1330 to pre-register. Registration is also available at the door and will continue until all 20 slots are filled.
        Categories for the North Carolina Quiz Bowl will include Civil War history, sports, higher education and more. Prizes will be awarded to the top contestants. This event promises to be a family-friendly, educational evening about North Carolina history. For more information or to register, call Jim Brisson at (910) 486-1330.

  •     September is a big month for fashion and beauty magazines — literally.
        These editions are whoppers, packed with page after page of carefully designed and often provocative advertisements for the latest in fashion and beauty. Sometimes it is not altogether clear just what product is being advertised, but the images are invariably striking. Tucked among all this fashion and beauty commerce are photographs of fall fashions. The fabrics are rich and luxurious, sometimes even exotic, such as reptile skins and bird feathers. Sometimes prices are noted, often in the range of a house payment. If the cost is truly stratospheric, the copy will discreetly note, “Price available upon request.”
        Some of the magazines actually have a bit of editorial content as well.
        After a recent airplane trip involving both layovers and a rental car, I wound up with an armful of September issues, five in all. Just for fun, I plopped them all on the Dicksons’ bathroom scale. They weighed in at a collective and impressive 10.7 pounds. My first thoughts when I saw that number were how many trees died for fashion and how thankful I am that none of the three junior Dicksons weighed that much upon arrival!
        {mosimage}Vogue is the venerable grand dame of fashion mags. The September issue’s cover boasts about its “798 pages of brilliant fall fashion” including “73 wildly romantic dresses for evening, 92 statement-making accessories, 76 clean, lean looks for day,” many draped over the perfect and willowy bodies of either impossibly beautiful or arresting young women, some teenagers. I would be satisfied myself to simply look clean, and, especially, lean every day, but that is a different issue. Inside, you can read about lace dresses, yoga studios in big cities but not in Fayetteville, and the cover story features actress Keira Knightly in many different outfits that are so expensive no prices are listed. There is, however, a strange pair of two-piece, lace-up boots with stiletto heels which will set you back $1,800 plus tax. Editorial contents include a profile of actor Warren Beatty and an interview with author Candace Bushnell of Sex in the City fame. 
        InStyle is the next fattest magazine in my September collection, with 486 pages and actress Uma Thurman on the cover. Few models here, though. Instead the women in gorgeous clothes — most far more wearable than those in Vogue — are movie stars and other entertainers whose wardrobes seem to consist mainly of, as we say in the South, “dress up” and evening clothes. I have heard of some of these young women and have even seen a few of their movies, but others have escaped me entirely. Minka Kelly? Emmanuelle Chriqui? Cassie? Ginnifer Goodwin? In Style has a handy little section about how to put different items of clothing together to wear for different occasions and times of day, but since I doubt many of us have all the pieces needed to complete a “look,” we might find that section a tad frustrating. I was put off by the pocketbooks, albeit good-looking ones, for $1,990 and $2,450 respectively, but I felt better when I found a section called “Deals and Steals” in which most of the items were under $150, something a mother who shopped for a family of five for years finds most appealing. I was unable to find any editorial content not dealing with some aspect of beauty or fashion. 
        More is aimed at women like me — mature. The cover girl is actress Felicity Huffman, 45, and no one featured seems to be under 40. I read about the perfect little black dress, or LBD, and most of the beauty tips, both commercial and otherwise, tend toward anti-aging. It does not have the impressive advertising pages of Vogue and InStyle but does have editorial content clearly geared toward, well, moi. I was engaged by an article on the woman founder of Gymboree, whose business and personal life fell apart, and who at 61, now owns yoga studios. Then there is a piece entitled, “Are Younger Women Trying to Trash Feminism?”, which I plan to read soon. There are even a few recipes and eating tips for those of us in the over 40 set.
        And, finally, one more from my fashion mag stack: Lucky, a 382-page entry into the crowded fashion magazine field I had not encountered, is perhaps the most straightforward. It makes no claims to be anything but what it is: “The magazine about shopping and style.” There are plenty of photos of clothes and accessories and tips on what to wear with what. It is blatantly about consuming, with one feature entitled “what I want NOW!” including a “truly versatile little dress with intriguing sculptured tiers” and some purple satin high heels at a mere $550. 
    I come from a family business background, and I like clothes and the rest as much as any other woman. But some of this worshiping at the altar of fashion and beauty is a bit over the top.
        Please tell me I don’t sound like Andy Rooney.

    Margaret Dickson,
    State Representative and Contributing Writer
    COMMENTS? 484-6200 ext. 222 or
    To reach her directly, call 919-733-5776 or email MARGARETD@NCLEG.NET

  • “Those that fail to learn from history, are doomed to repeat it.”
                                                                     — Winston Churchill


        Seems like lately that has been the theme of both the Fayetteville City Council and the Fayetteville Museum of Art. How many times have elected and/or appointed public bodies or agencies in Fayetteville and Cumberland County left in their political wake public projects, agendas or programs that  have become an irritant to the electorate. Is it because those decision makers fail to remember why the previous projects remain a constant target of derision and disdain? 
        Every time something goes wrong in city hall or the county offices there are letters to the editor that somehow incorporate the most recent political debacle such as the Crown Coliseum, Ticketgate or the Big Bang annexation (to name a few) as part of whatever ails the writer. These issues thus take on a negative life of their own like a never-ending story.
        {mosimage}Have you ever considered the common denominators of these decisions? They are typically accompanied by egos and personal agendas that far outweigh the need for a decision that is in the best interest of the community. 
    Our decision makers many times fail to agree to disagree, make a democratic choice based on the facts, and then forget who won and who lost that particular vote at the next meeting or election. The best example of how to do it right is a zoning case. I have seen some bitter, embroiled debates over rezoning cases, but in the end the vote is based on what is best for the property and the surrounding area. Once the vote is taken, the disagreements are forgotten.
        In regard to the location of the new Fayetteville Museum of Art, I am afraid the train left the station with egos and personal agendas still on board when the city council decided to appoint the task force last month. Whatever the task force recommends, unless the decision makers make their decision based on the facts found and hopefully sound recommendation of the task force based on those facts, nothing will be gained, more time will be lost and the museum will be even further behind in its fundraising efforts. I don’t know when the architect ran his numbers on the estimated cost, but by the time bids are let, does the phrase “We’ll have to go back and cut some frills,” ring a bell?
        What more information and facts are needed to decide the location based on anything other than what is in the best interest of the community? Was the contract approved over a year ago not the result of that process? And we wonder why economic development agreements with the corporate world are so hard for this county to come by! 
        This community will be well-served by a first-class museum facility located DOWNTOWN. Just ask the Airborne and Special Operations Foundation. As long as the decision makers continue to decide its location by swatting at gnats, writing letters to each other that do nothing but result in name-calling and who-shot-who when, we will have forgotten our history and the project will be doomed, and added to the list when someone writes a letter to the editor.
    How frustrating …. and how inevitable.

    Bob Cogswell, Contributing Writer
    COMMENTS? 484-6200 ext. 222 
    editor@upandcomingweekly.com

  •     Most people look forward to Christmas the way I look forward to the Best of Fayetteville season. Seeing the way Up & Coming Weekly readers perceive our community is a great big present for me. Up & Coming Weekly has always had its finger on the pulse of this community. Each year this event measures and illuminates our readers’ deepest insights into our community, which serve as a barometer of our quality-of-life. So, it is no wonder this is the most popular, anticipated and most read edition of the year. Hence, my excitement.
        But I’m not the only one who gets excited about this. The community gets excited. Residents, local businesses and organizations all know what is at stake here. They know this is the time of year when Up & Coming Weekly reports on how well they met the needs of their customers and constituents throughout the community. For 10 years they have realized that being recognized in the BOF survey is a testament and measure of their success in bringing quality products and services to the community. They want to measure their impact on the community.  Winning a category says “you are making a difference” in Fayetteville and Cumberland County. This is why you will see Best of Fayetteville plaques displayed all over the city. They earned it!
        This honor is not a gimme, nor is it automatic. Matter of fact, we go to a great deal of work and expense to ensure that the readers survey is fair and honest and that every “legal & legitimate” vote is counted. Notice I said “legal & legitimate.’’  To that end, when we first embarked on this venture in 1998, we put some stringent participation rules and guidelines in place to make sure the survey maintained its integrity in the eyes of the community. Not an easy task.
        {mosimage}Believe me; our strict guidelines are not infallible. However, judging by the number of ballots we receive every year and the increased number of disallowed ballots we have every year, two things are certain: 1. More and more residents, businesses and organizations have come to recognize and accept the annual BOF readership survey as a valid measurement and excellent reflection of goods, services and quality of life venues in this community. And, 2. People, businesses and organizations will go to great lengths to position themselves in contention just to have a chance of winning BOF recognition. Well, sorry folks! No ballot stuffing here. Simply put, with this event “you can’t fake it, till you make it.”  We are confident that we have done everything we possibly can to ensure a pure reflection. Here are a few:
        First, only one ballot per person and you have to record your telephone number. If the ballot appears doctored, faked, duplicated or “iffy” in any way we have been known to call the participant to validate the entry. A “what ballot?” response is an obvious call to action.
        Second, each participant must complete at least 15 categories on the ballot. This takes some thought and some effort and prevents opportunities to cheat while providing us great information. After all, this is what we want.
        Third, the ballot has to be mailed in, walked in or faxed in. At present we do not have online or anonymous voting. Next year, if we can create a way to assure the integrity of the survey, we will have online voting. Remember, it is a “reader’s poll.”
    Fourth, ballots counted are reviewed and inspected. Again, all suspicious and duplicated ballots are invalidated.
        Fifth, ballots are sent directly to the local firm of Utley & Knowles, CPAs, PA. They validate each ballot, verify and confirm the tallies. Once this process is complete and they have signed off on the winners, we start preparing for the biggest and best Up & Coming Weekly issue of the year. In addition, we prepare to host a Best of Fayetteville Reception where we will recognize and congratulate all the 2008 winners. This is not the biggest event of the year but it is one of our most important.     The marketing and promotion of the event, the rules, regulations, the counting, checking, double checking of ballots, verifications, designing certificates and plaques, publishing the BOF edition and hosting the recognition reception takes a great deal of time, effort and commitment.  It’s all worth the effort because Up & Coming Weekly is a quality-of-life publication.     Our mission is to talk about the good stuff and shine a light on the accomplishments of this community and its residents. By showcasing what our readers think is the best, then we are providing them the confidence and a roadmap on where to go and what to do in this community.
    S    o, study this issue, congratulate the winners and if I don’t see you at the party tonight I’m sure I will see you around town. Keep in mind that this is our annual BOF issue. Every Wednesday we bring the daily and weekly scoop on the Best of Fayetteville and it is always “up & coming.”
        Thank you for making us your community newspaper. Because you are well read, so are we.
        Thanks for reading.

  •     The Cumberland County Public Library and Information Center and the Lafayette Society are sponsoring a lecture and book signing at the Headquarters Library, 300 Maiden Lane, on Sept. 4 at 7 p.m. for historian Alan R. Hoffman.
        Hoffman’s translation of Auguste Levasseur’s Lafayette In America In 1824-1825 was published in 2006.     The book is the first complete translation into English of the detailed journal kept by the Marquis de Lafayette’s private secretary during Lafayette’s Grand Tour of the United States on the eve of the 50th anniversary of the Declaration of Independence.{mosimage}
        The program will begin with a showing of Vive Lafayette, a short documentary on Fayetteville’s celebration of Lafayette’s 250th birthday in 2007. Copies of Lafayette In America In 1824-1825 will be available for purchase.
        This program is one of many events planned for Sept. 4-6 as part of the Lafayette Society’s annual celebration of Lafayette’s birthday. For a listing of all events, or to learn more about Lafayette, visit www.lafayette250.com.
        Hoffman, a trial attorney in Boston, received his undergraduate degree in history at Yale and graduated from the Harvard School of Law. He spent three years translating Levasseur’s journal from a copy he discovered in a bookstore in Cambridge.
        Lafayette first came from France to America as a 19-year-old nobleman to fight in the Revolutionary War against England. His heroics at Brandywine and Yorktown, coupled with his fervent support of equal rights for all men after he returned to France, later earned him the title “Hero of Two Worlds.” Invited by President James Monroe in 1824 to visit the country he helped to found, Lafayette was greeted by enthusiastic crowds and elaborate receptions everywhere he went.
        Levasseur was a young French officer who had participated in a conspiracy against the Bourbon monarchy in the early 1820s. His journal not only traces Lafayette’s year-long tour of America, but also provides eyewitness accounts of intimate visits with presidents Monroe, John Adams, James Madison and Thomas Jefferson.
        Hoffman will highlight the portions of Levasseur’s journal describing Lafayette’s reception in towns in North and South Carolina, including Murfreesboro, Camden, and Fayetteville — the first American city named for Lafayette and the only namesake city he actually visited.
        The book shows how Lafayette, long an outspoken critic of slavery and advocate for its abolition, attempts to address the issue during his tour. Levasseur includes information enthusiastically gathered regarding the history, climate, commerce, and other characteristics of the states and cities they visited. Through the eyes of Levasseur, the reader in 2008 has a remarkably clear vision of life in America in the early 1800s.
        Levasseur’s journal reveals aspects of Lafayette’s character that help explain his popularity in America at that time. As Hoffman notes, “Lafayette had star quality. He was self-effacing, charming and charismatic. For a man who was raised as a member of the nobility, he definitely had the common touch.” In his introduction, Hoffman says, “I hope that by spreading the story of Lafayette on his farewell tour — as well as the Revolution as told in Levasseur’s flashbacks — this book will help to highlight his unique place in American history.”

    Tim Wilkins, Associate Editor
    COMMENTS? 484-6200 ext. 105 or tim@upandcomingweekly.com


  •     Great Moments in Capital Punishment: Prosecutors in Portland, Ore., took the death penalty off the table for Tremayne Durham in July, accepting a minimum-30-year prison term for an “aggravated murder” over a business deal. Durham agreed to plead guilty when prosecutors relented to his additional demand of two pig-out meals (featuring KFC, Popeye’s and Haagen Dazs right away, and pizza and lasagna on the day the judge accepts the plea). Prosecutors said they hated appearing to cater to the whims of a murderer, but eyeing the expense of a long trial and lengthy appeals, as well as the turmoil for the victim’s family, they agreed. In August, the judge accepted the deal.]

    CAN’T POSSIBLY BE TRUE
        Though it has been on national cable TV since mid-July, ratings have not been spectacular for the G4 channel’s show, Hurl!, leaving many Americans unaware of precisely how far standards of taste have fallen. Hurl! contestants are forced to gorge themselves, then are purposely, rapidly, twirled and shaken on carnival-type rides, with the last player to retain his stomach contents declared the winner. Wrote a Washington Postreviewer, it’s “for people who found Fear Factor much too nuanced.”

    TOO BUSY PARENTS
        A Dallas entrepreneur recently created a programmable device for those busy, busy parents who actually need to be reminded that they brought their tots with them in the car (lest their child become one of the several hot-car deaths a year in America). Provided that they’re not too busy to set the system up, an alarm alerts them if they exit the car without the baby. Said one Texas woman interviewed by NBC News, “As a mom, you can get really distracted.”

    OH YEAH, TOUGH GUYS!
        Lamont Cooke was arrested by a SWAT team in Vernon, Conn., in July after spending the last year on the run from Philadelphia and Maryland authorities, who wanted him for charges of kidnapping and murder. According to the arresting U.S. marshal, Cooke surrendered quietly, except that he wet his pants.
        A police task force in Orem, Utah, arrested a 21-year-old gang member in June, catching him riding a tricycle that he had just stolen from a little girl.

    COPYRIGHT 2008 CHUCK SHEPHERD
  •     I’m 42 and in love for the first time. I live in a beautiful house with the most kind, generous, sweet and gentle man imaginable. Unfortunately, he’s a slob, and it’s making me crazy! The worst is walking downstairs in the morning and facing the mess. Aaarrrgh!! It can make me irritable/angry/depressed all day. I’ve begged and cajoled. Most embarrassingly, I’ve even thrown a fit. When I pick up after him (I have to — his stuff gets in my way) I feel angry and resentful. He claims he doesn’t like the mess either. On the rare occasion he does clean, he’ll do one small area and immediately begin trashing it. Should I just accept that my living room will always look like a garbage dump?
                                   — Besieged

                                      
                                      
        Little girls play house. Little boys play war. War is messy, okay? Like, when you’re in the foxhole, nobody’s complaining, “You left shells everywhere again, and you never pick up the fresh flowers when it’s your turn!”
        The irony is, probably the neatest guys out there are those who’ve been in the military. And sure, there are plenty of women who have to bring in a disaster cleanup company just to find the telephone. But, as I’ve written before, many straight men just don’t have the eye for clutter that women do. It’s a hard-wired biological thing, and no, I don’t mean biological warfare. Studies show women and gay men seem to have a better eye for ultra-local detail, and straight men seem to have better distance vision; as in, “Hark! There’s a wildebeest on the horizon. Let’s go spear it!”
        Yes, it would be great if he could become as fastidious as some archetypal gay decorator, or if you could say to yourself, “Sure, I hate a mess, but seeing his underwear hanging off the curtain rod where he tossed it four days ago reminds me how lucky I am to have the most kind, generous, sweet and gentle man imaginable.”
        This mess you’re in probably started when you visited the home of the man you love and saw him missing the bowl, the sink, the trash can, and the dumpster, and tried to believe, “Oh, it’ll be different at my place.” And it is. Now, he’s missing your bowl, your sink, and all the rest. And here you are, angry and resentful, and for what? It’s cute that he claims to be as disturbed by the mess as you are, but there’s a good chance he’s one of those guys who never cleans, but just moves when the bacteria-to-human ratio starts to reach CDC alert levels.

    Got a problem? Write Amy Alkon, 171 Pier Ave, #280, Santa Monica, CA  90405, or e-mail AdviceAmy@aol.com (www.advicegoddess.com)

  •    Death Race 2000 (Rated R) Rated: 4 stars

        The original Death Race 2000 was an exploitative Roger Corman classic, featuring a very young Sylvester Stallone and David Carradine. Death Race (89 minutes) the remake, helmed by Paul W.S. Anderson of Event Horizon fame, is a fun B-movie that highlights all the violence and explosions of the first movie, without the campy over-the-top theme costumes. In a clever nod to the source material, an uncredited David Carradine does the voiceover work for the character he played in the 1975 version, Frankenstein. Much like The Running Man and Series 7: The Contenders, Death Race extends the modern trend of reality television to its most extreme form; a reality show in which the death of the participants is the highlight of the show. 
        {mosimage}The film begins in a future United States suffering from a complete economic breakdown. Prisons have become privatized and inmates compete against each other in car races for the chance at release papers. Machine Gun Joe (Tyrese Gibson) is fighting it out with Frankenstein (voiced by Carradine) when something goes wrong, and Frankenstein’s navigator (Natalie Martinez) ejects while Frankenstein’s car flips and explodes. Meanwhile, Jensen Ames (Jason Statham), an out-of-work steel worker, is sentenced to the Terminal Island prison for a crime he did not commit. Once there, the warden of Terminal Island, Hennessy (Joan Allen), convinces Ames to participate in the Race. When he agrees, he is provided with a pit crew, including Coach (Ian McShane!  He’s punk rock!) and Gunner (Jacob Vargas). In stage one of the race, several drivers are killed and the ratings skyrocket. In stage two of the race, Jenson takes the initiative, challenging the rules of the game. Finally, in stage three of the race, he must make the choice to play the game and reap the reward or challenge the system and risk everything. 
        Not much from the original made it into the remake. First, as in the original, the “death race” is televised. Second, the murderous drivers are paired up with scantily clad navigators. Also similar to the 1975 original, the contestants’ personas are distilled to nicknames, such as Machine Gun Joe. While there is a shady authority figure, it is not the president. Instead, the remake introduces the character of Hennessey to play the evilly-motivated antagonist to Statham’s hero. Allen, as the warden of the prison colony Terminal Island, seems to channel a combination of Hilary Clinton and President Roslin from Battlestar Galactica. She will shoot (or airlock) first and ask questions later. Fans of the original should be reassured by the references to the original, but those who missed the first version will not find it difficult to figure out what is going on. 
        No, this film will not go down in history as the greatest movie ever made. But, it certainly is a fun little remake, heavy on the fiery explosions, bloody decapitations, and crunching metal. There is even some social commentary. The soundtrack is a good mood setter, the eye candy abounds, and the acting is amazingly sincere. This is an action film that rises above the rest because of the overall quality of its lead actors.   

  •    A Tutor Navigates High Society in Privileged

        In Privileged(Tuesday, 9 p.m., CW), a literary type named Megan (JoAnna Garcia) gets a job tutoring two spoiled heiresses in Palm Beach. At first glance, Megan looks like a standard character in a standard 14-to-29-demo drama: the neurotic jabbermouth beauty. But there’s more to her than that, and more to Privileged, too. The series offers Gossip Girl-style fun, with just enough substance to make it more than a guilty pleasure.{mosimage}
        Megan is delightfully quirky, and her charges can be delightfully bitchy. “It’s gonna be super-fun,” one of them tells Megan sarcastically, just before making her life a living hell. The pilot is chock-full of such snark, along with enough bonding and betrayal, sexy swimwear and sincere speeches to give the 90210 area code a run for its money.
        Privileged is gonna be super-fun.

    KITCHEN NIGHTMARES
    Thursday, 8 p.m. (Fox)
        In last season’s Kitchen Nightmares, mean British chef Gordon Ramsay vented his ire on struggling restaurants around the U.S. “Your food is crap,” he sneered at tearful owners. He screamed at the chefs, cursed at the waiters and, as a grand finale, made a show of vomiting.
        It was, I have to admit, an entertaining act. A year later, Ramsay returns to the restaurants to see how they’re doing. Some have improved greatly — a triumph for them, a tragedy for us. Because a happy Ramsay is a boring Ramsay. He hugs the newly successful owners, compliments the chefs and even asks for recipes. “I owe it all to Chef Ramsay,” one owner says in a segment that’s about as compelling as a Hallmark card.
        Please, bring back the vomit.

    SAMURAI GIRL
    Friday-Sunday, 8 p.m. (ABC Family)
        A Japanese girl named Heaven (Jamie Chung) has been raised in seclusion by her wealthy Tokyo family. She goes to San Francisco for an arranged marriage, but samurai warriors crash the ceremony and kill her brother. Heaven goes on the run, trains as a samurai and embarks on a quest to learn her family’s secrets, all while wielding a sword called Whisper of Death.
    Obviously we’re not in a realistic universe, but Samurai Girl gives artifice a bad name. Though Japanese, Heaven speaks with a suburban mall-rat accent. She takes time out from eluding assassins to giggle about cute boys. She doesn’t talk so much as disgorge large chunks of exposition. She conveys about as much mystery and allure as a bowl of lukewarm miso soup.
    Now that you mention it, that’d be a more appropriate name for her samurai sword: Whisper of Lukewarm Miso Soup.

    FRINGE
    Tuesday, 8 p.m. (Fox)
        This new series is about government agents investigating fringe phenomena, and it has a scary-cool opening scene. Airline passengers experience strange symptoms en masse, their skin melting and their jaws falling off.
        But Fringe quickly goes from scary-cool to silly-foolish. One of the agents is infected himself, and his beautiful partner-lover has a brilliant (read: stupid) idea for saving him. She springs a mad scientist from the loony bin and agrees to let him insert a probe into her skull so she can enter her beloved’s memory and “see” the villain who spread the infection.
        For some reason, this requires her to be immersed in fluid in her bra and panties.

  •     {mosimage}Scarred for Life is a relatively new band on Fayetteville’s musical landscape. Made up of Kyle (Toadie)Thorp on vocals, Kevin Spencer on guitar, Tim Spencer on drums and Timothy Roberts on bass, the band hopes to bring its energy to clubs and venues near you.  
        Up & Coming Weekly is always excited to hear about new talent, so we took some time to find out about Scarred for Life.
        UCW: How did the band get its name?
        Scarred for Life: It refers both to a childhood experience shared by the guitarist and drummer and is a general reference to the things we’ve all faced growing up that shapes our development as adults.
        UCW: How would you describe the type of music you play?
        Scarred for Life: Hard edged rock with a touch of metal and pop!
        UCW:Is there any band (famous) that you relate to or that people compare you to?
        Scarred for Life: So far I haven’t had anyone compare us to anyone else, but I’m waiting!
        Who is your biggest musical influence?
        Scarred for Life: Everyone in the band has different influences and they all come together beautifully. The guitar player is into Ozzy, Guns ‘n Roses, Pink Floyd and a lot of those classic rock and metal bands. The singer is more into contemporary rock like Atreyu, Killswitch Engage and the newer stuff. Our rhythm section is into Slipknot, Five Finger Death Punch and stuff like that. We all love Bobaflex and WE ALL LOVE SEVENDUST!!!!!
        UCW: Is music your only gig or does everybody have a day job and how does that affect the band?
        Scarred for Life: Guitar player is a concrete finisher and the vocalist works in food service. Bass player doing music full-time right now and so is the drummer.
        UCW: What is the weirdest gig you’ve ever played? What has been your favorite?
        Scarred for Life: Kill the Pig in Parkton was weird for us but it was a great time. It was outside and we were freezing!!! The PopEvil show at Jester’s Pub was probably our best show ever!
        UCW: Do you perform any original stuff and who writes it?
        Scarred for Life: We are an all original band and we all have a hand in writing. Some songs may fall more onto one member over another, but in the end it all goes into one big melting pot.
        UCW: How long has the band been together and where do you see the band six months from now?
        Scarred for Life: That’s hard to answer, it’s kinda’ complicated. The drummer and guitar player are brothers. We’ve been a team for a long time. We started playing with Tim Roberts, our bass player about 10 years ago. The three of us had played on and off in that time and we recently started playing together again,three years ago. We needed a vocalist and a good friend of ours named Jeff Brown of the band, Waist Deep Madness, put us in contact with Kyle. That was last August. We did our first show last October. So I would say that was when we became a band. So,we haven’t been at this long!
        UCW: How would you describe the Fayetteville music scene?
        Scarred for Life: I think it’s the best it’s ever been! There’s something for everyone here. The venues are great too. You don’t have to look far for a great band to listen to. You just have to get out and go see ‘um!

  •     On a recent road trip, I found myself scanning my XM radio channels. There’s really only so many times you can listen to the same songs over and over and XM offers such a wide variety you really can’t get bored. {mosimage}
        I found a channel that seemed to have some potential, and after a couple of songs, a new song (at least to me) caught my attention. The name Hank Williams Jr. flashed across the radio, but I knew that wasn’t Hank all by himself. My friend Becca and I thought it was a new duet featuring Hank and his good friend Kid Rock, but it wasn’t. It was Hank with the Georgia-based band Rehab, and the song, “The Bartender Song,” was hysterical.
        It’s right up there with the perfect Country and Western song. It talks about prison, Chevys, love lost in the trailer park and drowning your sorrows at the bar.
        “I’m sittin’ at a bar on the inside, waiting for my ride on the outside. She stole my heart in the trailer park, so I jacked the keys to her daddy’s car, then I crashed that Chevrolet and I stepped away.”
        After hearing the song, I had to learn more about the band, so I downloaded their 2008 re-release of Graffiti the World, and got a little more than I bargained for. Rehab’s music is a mix of southern rock, dirty south rap, reggae, alternative and rap/rock think Limp Bizkit. So there is a mix of music on the CD — a little rap, a little rock and a mixture of both; however, the lyrical melodies of “The Bartender Song” were replaced by-in-large by a booming rap beat on the majority of the tracks.
        Let me be upfront, I am not a huge rap fan, so I was a little taken aback; however, I stayed the course and listened to the whole CD, and I liked it. There were a number of tracks that made it worth the price of the download.
        Of particular note, “Red Water” tells the story of a kid who watches with envy his next door neighbor who seems to have a perfect life. That illusion is shattered when the man’s beautiful wife finds him sitting in a tub overflowing with red water. The song is about the overworked, overstressed, perfect lives that people seek to lead, and the truth that sometimes lurks underneath the pretty picture.
        The title track “Graffiti the World” is rap, but it kind of reminded me of Billy Joel’s “We Didn’t Start the Fire.” It talks about the damage we do not only to our Earth, but to our children and our society. The song touches on just about every aspect of our lives from religion to pollution to politics to terrorism.
        The song “This Town” talks about the band’s roots in a small Georgia town, and how the way they were raised, and the people they grew up with remain with them wherever they go. It should make their home town proud.
        Other than “The Bartender Song,” my other favorite is “Last Tattoo.” Much like “The Bartender Song,” “The Last Tattoo” talks about love gone wrong, except in this case, rather than drowning his sorrows, the man decides to ink her memory away with you guessed it — “The Last Tattoo.”
        There are two versions of this CD available for download, the cleaned-up version and the explicit version. I downloaded the cleaned-up version, but they really didn’t do the best job cleaning it up. So keep that in mind if you want to listen to it and children are around.
        Also, after you listen to it, let me know if you found some of the raps a little too much — on a couple of songs I kept thinking about Brad from the movie Malibu’s Most Wanted. But maybe that’s just me.
  •     Dear EarthTalk: Everyone knows we should recycle metal, glass and plastic cans and bottles, but what about all the lids, tops and caps?  I see people recycling plastic bottles, for example, with their caps on, but I’ve always been told to thrown them out. Is that wrong?
     — Stefanie Gandolfi, Oakland, Calif.

     
        Many municipal recycling programs throughout the U.S. still do not accept plastic lids, tops and caps even though they take the containers that accompany them. The reason is that they are not typically made of the same kinds of plastics as their containers and therefore should not be mixed together with them.
        “Just about any plastic can be recycled,” says Signe Gilson, waste diversion manager for Seattle-based CleanScapes, one of the west coast’s leading “green” solid waste and recycling collectors, “but when two types are mixed, one contaminates the other, reducing the value of the material or requiring resources to separate them before processing.”
        {mosimage}Also, plastic caps and lids can jam processing equipment at recycling facilities, and the plastic containers with tops still on them may not compact properly during the recycling process. They can also present a safety risk for recycling workers. “Most plastic bottles are baled for transport and if they don’t crack when baled, the ones with tightly fastened lids can explode when the temperature increases,” says Gilson.
        Some recycling programs do accept plastic caps and lids, but usually only if they are off their containers completely and batched separately. Given the many potential issues, however, most recyclers would rather avoid taking them altogether. Thus it is hard to believe but true: In most locales the responsible consumers are the ones who throw their plastic caps and lids into the trash instead of the recycling bin.
        As for metal caps and lids, they, too, can jam processing machines, but many municipalities accept them for recycling anyway because they do not cause any batch contamination issues. To deal with the potentially sharp lid of any can you are recycling (such as a tuna, soup or pet food can), carefully sink it down into the can, rinse it all clean, and put it in your recycling bin.
        Of course, the best way to reduce all kinds of container and cap recycling is to buy in large rather than single-serving containers. Does the event you’re holding really require dozens and dozens of 8- to 16-ounce soda and water bottles, many of which will get left behind only partly consumed anyway? Why not buy large soda bottles, provide pitchers of (tap) water and let people pour into re-usable cups?
        The same kind of approach can be taken with many if not all of the bottled and canned grocery items we buy routinely for the home. If more people bought in bulk, apportioning out of larger, fewer containers, we could take a huge bite out of what goes into the waste stream.

    CONTACT: CleanScapes, www.cleanscapes.com.

    GOT AN ENVIRONMENTAL QUESTION? Send it to: EarthTalk, c/o E/The Environmental Magazine, P.O. Box 5098, Westport, CT 06881; submit it at: www.emagazine.com/earthtalk/thisweek/, or e-mail: earthtalk@emagazine.com. Read past columns at: www.emagazine.com/
  •     What serious question for North Carolinians can there be in a new legal thriller novel written by a Virginia judge?
        This judge almost lives in North Carolina. His home in Virginia’s Patrick County is a few miles from Mt. Airy and Winston Salem. Judge Martin Clark has other North Carolina connections, including a Davidson College degree.
        The serious question in his new book, The Legal Limit, is not limited to Virginians or North Carolinians. Nor does it get in the way of the lively “page turner” story and vivid characters that Clark serves up to his readers.  
        First, a little bit about the story; then some thoughts about the serious question.{mosimage}
        In the story, we know from the beginning the crime and who committed it. The leading character, Mason Hunt, watches his brother Gates kill a man. Then he helps Gates cover up the crime. Gates is a ne’er-do-well who later winds up with a drug-related conviction and a 45-year prison sentence. On the other hand, Mason becomes the highly regarded district attorney in Patrick County.
        Many years later, based on the imprisoned Gates’s accusations, Mason becomes a suspect in the earlier crime and is indicted for murder.
        Mason uses all the tricks he knows, legal and ethical or not, to try to defeat the effort to connect him to the crime. He persuades others to breach their public responsibilities in order to help him. The author had this reader pulling for Mason to beat the charges against him.
        Mason’s willingness to “stretch the law”— to achieve some results that he judges to be more important than what the law demands — raises the serious question that underlies the book.
        For instance, in addition to his cover-up of his brother’s crime, Mason and his assistant DA rough up criminal defendants who they suspect are threatening Mason’s family. Then they lie about the facts when they swear out a warrant against their victims. The assistant DA delivers a colorful rationalization for their actions. “Justice ought to be a bottom-line proposition. …[I]t’s misguided when we worship musty old words in a text at the expense of innocent people’s suffering…. We should be concerned with how the soup tastes and not so damn worried about the particulars of the chef’s hat.”
        So, the question Martin Clark puts before us is this: How far do we expect our public officials to go beyond the rules we have set for them — when they are seeking a better result, a “better justice”?
        In a recent interview reported by the Jackson Mississippi Clarion-Ledger, Clark suggests that a judge cannot do the right thing if he always rigidly follows all the applicable law. In Virginia, Clark says, if a convicted felon is caught carrying a gun, there is a mandatory multi-year sentence. A 67-year-old man, convicted of the felony of moonshining about 40 years ago, was caught hunting deer with a black power rifle, a musket and brought before Judge Clark.
        “Do you want me to follow the law and put him in the penitentiary for two years or do you want me to make an exception?” Clark asks. His answer was to find the man guilty only of disorderly conduct and fine him $100.
        “…. [T]hat’s the sort of things judges face every day,” Clark says. “And I hope when people read (The Legal Limit), they will understand that everything is always not black and white, right or wrong.”
        It is hard to argue with Clark’s pragmatic approach to the old moonshiner. But that example should not persuade us to put aside those “musty old words” that bind public officials to follow the letter of the law.
        When does “stretching the law” to achieve a “good result” become breaking the law that must be punished? 
        The Legal Limit raises this serious question. It does not answer it.
        But it tells a great story. No question about that.
  •     Bev Perdue needed a ladder. Instead, she brought a shovel.
        Having dug herself deeply into a political hole over the past couple of weeks on the issue of offshore drilling for oil and natural gas, Perdue came into the Aug. 19 TV debate with Pat McCrory needing to offer a more coherent position. She needed to explain how she could go from being “100 percent opposed” to drilling off the North Carolina coast last month to being, well, for drilling this month if Congress and a governmental panel say it’s okay — maybe. And she needed to perform better than in her first TV debate with McCrory back in June.
        {mosimage}During the hourlong forum on WTVD, the Triangle’s ABC affiliate, Perdue did herself few favors.
        Both candidates had some important rhetorical goals going into the debate. McCrory needed to tie Perdue to an unpopular Democratic administration in Raleigh while keeping the discussion focused on issues where he believes he enjoys an advantage, such as energy and crime. Perdue needed to tie McCrory to an unpopular Republican administration in Washington while making him look risky, unproven, or indifferent to middle-class anxieties about college affordability and health care.
        McCrory accomplished his appointed tasks smoothly. After Perdue proclaimed herself “the healthcare leader in North Carolina for the past eight years,” McCrory referred several times to the failures of “this administration in Raleigh” over those eight years, on healthcare and other matters. Basically, she set herself up. His policy on energy was straightforward and easy to remember: drill, build new power plants, and reinvest the proceeds of oil and natural gas exploration in coastal infrastructure.
        Perdue did what she was supposed to, as well, but it was as though the two were in a footrace, McCrory was leaping effortlessly over the hurdles, and she kept knocking them down in a furious effort to keep up. Her convoluted discussion of drilling just sounded shifty and insincere. It didn’t have to be. John McCain flipped his position on the issue, too, but simply explained that $4 a gallon gas had changed his mind. That’s what Perdue should have done.
    Instead, the lieutenant governor boasted and bludgeoned. I lost count of the number of times she began her sentences in the first person. “I’m so good at this,” she said at one point, referring to her coalition-building skills. “I’m shameless,” she said when touting her Web site.
        Then there were the attacks. Someone advised Perdue to go after McCrory for being against “child health insurance,” without bothering to explain what that could possibly mean or citing any evidence. Someone told her to say her energy policies were “responsible not reckless” and that she was for “safety first,” so she repeated the phrases several times, sounding a bit like George H.W. Bush — or perhaps Dana Carvey’s impersonation of Bush — saying “message: I care” back in that infamous 1992 debate.
        I’ve debated Pat McCrory before, on a policy — rail transit — where we have continued to disagree. I came away with a healthy respect for his manifest ability to frame issues and craft messages, as well as the sense that whatever vulnerabilities he had lay in pushing him hard on details. Perdue, a longtime state legislator, should have challenged his knowledge of state issues while exhibiting a command of substance and detail, underlining the “risky and unproven” message her campaign and out-of-state allies are trying to sell.
        That’s not the strategy Perdue chose. She chose to preen and peddle meaningless soundbites. And it cost her.
  •     If you’ve ever met Patricia Fields, you know she is an optimist. On a recent Wednesday morning, when the rest of the community was covered in rain, Fields’ outlook was sunny, and grew only more so as she talked about the upcoming season at the Givens Performing Arts Center.
        “This has got to be one of the best seasons we’ve ever had — it’s definitely one of the most diverse,” she said.
    Fields knows what she’s talking about. The 2008-2009 season at the center has a little bit of something for everyone. “We have everything from Broadway to ballet, from puppets to football players,” she said. “We are really doing great things this season.”
        At the top of the list of things Fields wants to talk about is the Broadway and More series. This year the series will bring eight phenomenal shows to the stage.
        “We are very fortunate to do things that are kind of on the curve of what’s happening in the main stream,” said Fields. “Last year we did Hairspray, right on the heels of the movie, and introduced a whole new generation to live theatre. They saw the movie and then decided it would be a good idea to see the play. We’re doing that again this year with Sweeny Todd. I have had several ladies whose husbands have seen the movie, but would never have thought about coming to the theatre, say they want to come see it on stage.”
        The Broadway and More series kicks-off in October with the classic Oliver! on Friday, Oct. 24 at 8 p.m. But that’s just the beginning:
    Ain’t Misbehavin’
    Tuesday, January 13, 2009
    The 30th Anniversary Tour of the Fats Waller Broadway Musical starring 2003 American Idol Winner Ruben Studdard and his Idol Cast mate, Frenchie Davis. The outrageously prodigious comic and musical soul of 1930s Harlem lives on in this rollicking, swinging, finger-snapping revue that is still considered one of Broadway’s best well-crafted revues of all time.

    The Dublin Philharmonic Orchestra
    Tuesday, January 27, 2009
        Founded in the mid 1800’s, The Dublin Philharmonic Orchestra, together with the Royal Irish Academy of Music, represented the pillars of Irish classical music life at a time when Dublin, after London, was considered the most vibrant and distinctive city in the British Isles. 

    Sweeney Todd
    Friday, February 6, 2009
        This triumphant new cutting-edge production of Stephen Sondheim’s Broadway tour de force will take your breath away. The 2006 winner of two Tony Awards and four Drama Desk Awards has stunned theater goers as never before. The legendary demon barber, hell-bent on revenge, takes up with his enterprising neighbor in a delicious plot to slice their way through England’s upper crust…literally! Justice will be served-along with lush melody, audacious humor and oh yes, there will be blood!

    Sleeping Beauty: The Russian National Ballet Theatre
    Tuesday, March 10, 2009
        The Russian National Ballet Theatre was founded in 1989 when legendary principal dancer of the Bolshoi Ballet Sergei Radchenko sought to realize his vision of a company which would bring together the highest classical elements of the great Bolshoi and Kirov Ballet companies in an independent new company within the framework of Russian classic ballet. 

    To Kill a Mockingbird
        Harper Lee’s Pulitzer-Prize winning novel, To Kill a Mockingbird, now celebrating the 50th anniversary of its publication, was brought to the screen in an Academy Award-winning adaptation by Horton Foote in 1962 and was later adapted for the stage by Christopher Sergel. Though over 35 years old, this stage adaptation continues to compel and delight viewers worldwide with its warmth, wit, and wisdom. 

    Movin’ Out
    Monday, April 27, 2009
        Five-time Grammy winner Billy Joel and legendary director/choreographer Twyla Tharp have joined forces to create this spectacular musical.  Winner of two 2003 Tony Awards, Movin’ Out brings Billy Joel’s classic hits to electrifying new life as it tells the story of five life-long friends over two turbulent decades.  It all adds up to one unforgettable Broadway musical.

  •     The Temple Theatre picked a proven crowd-pleaser to kick off its 25th season. A Closer Walk With Patsy Cline has graced the stages of community theaters across the nation. Showcasing 20 of Cline’s top hits, the show blends theatre and music together for an evening at the theatre that appeals to people of all ages.
        The show was first put on stage by Dean Regan in Vancouver. Following a run of sold-out shows across Canada, the show was first staged in Boston, Mass., and has since enjoyed successful runs all across the nation. It is the only Patsy Cline production that is sanctioned by the Patsy Cline estate.
        The play is a celebration of Cline’s brief, but full, life and career. Cline is one of the legends of country music. She had her first audition for the Grad Ole Opry at the age of 16. She was a consummate professional, who made it her business to promote herself. Her star started to rise following the release of “Walkin’ After Midnight,” which was released 10 years after she started her career. That was only the first of a string of hits for the first lady of country music: “Crazy,” “I Fall to Pieces,” “Sweet Dreams” and “Faded Love” were among some of her hits. {mosimage}
        Cline’s life was cut short when her plane crashed on March 5, 1963. Like many of the greats, her death only brought her greater acclaim, so that even today her music tops the jukebox playlist. It is that legacy that is celebrated in A Closer Walk.
        Lisa Dames, an Ohio native, is set to star in the show. Dames has been involved in numerous productions of shows based on Cline’s life, and has performed in A Closer Walk in several states. She first appeared in a Cline show in Greensboro after receiving a call from an old college friend.
        “I told her I’d never done anything like that and that I didn’t sound like Patsy Cline. She said, ‘I know, but I think you can do it,’” she recalled.
        “It’s funny, but portraying Patsy Cline is what helped me to develop my own style,” says Dames. “While most of the other actresses who were doing these shows were so focused on sounding just like Patsy, I was focused on the emotion she put into her songs. And that’s how I try to sing everything. Without the emotion, it’s just a bunch of words. Patsy knew this. That’s why she’s timeless.”
        The Temple Theatre is located in downtown Sanford. The theatre has been bringing quality shows to the community for 25 years, and this year, in celebration of its 25th season, it has added a black-box theatre to its facility, which has allowed the company to expand its season.
        A Closer Walk With Patsy Cline will be on stage at The Temple through Sept. 28. Show times are Thursday at 2 and 7 p.m.; Fridays and Saturdays at 8 p.m.; and Sundays at 2 p.m.
        Adult tickets are $20. Thursday night show tickets are $16, as are tickets for active duty soldiers, Lee County educators and groups of 10 or more. Children’s tickets are $10. Tickets can be purchased through the Temple Box Office, which is open Monday, Tuesday, Wednesday and  Friday from 2-6 p.m. and Thursday from 2-5 p.m. The box office can be reached by calling (919) 774-4155 or via e-mail at boxoffice@templeshows.
  •     The floor of the Second Harvest Food Bank of Southeast North Carolina is full of pallets of bottled drinking water. Unfortunately, the shelves are nearly empty of the one commodity the facility on Deep Creek Road needs the most: food.
        David Griffin, the food bank director, says the demand by hungry folks seeking emergency supplies of food has increased 59 percent over the past two years — a hike he lays squarely on the shoulders of a faltering economy and high gas prices.
        “Those factors have made it tough,” said Griffin as he surveyed the warehouse’s empty pallets and the bare freezers of a facility that serves seven counties. “In addition, our seven counties are mostly rural and they’ve lost a lot of jobs, especially in Robeson County. A lot of people just can’t make it with the increasing cost of food.”
        {mosimage}Griffin says that the ever increasing poverty rate contributes mightily to this perfect storm of hunger. He adds that Cumberland County alone has 51,000 folks listed as subsisting below the federally mandated poverty line — many of them children.
        “It’s heartbreaking to see someone with small children needing food,” said Griffin. “It really takes something out of your heart. People don’t just ask for food unless they really need it.
        “As long as I am director here, I will make sure people have plenty of food,” said Griffin. “But we need help.”
        That help is on the way in the form of the 2008 Cumberland County CROP Hunger Walk. The event — scheduled for Oct. 19 — is sponsored by Church World Service and has taken place off and on since 1980, with county residents soliciting sponsors to fund their walk for the hungry and provide money that is distributed locally and nationally — 25 percent of that money goes to the food bank.
        Michele Bedsole, the crop walk’s coordinator, said the 10K walk — which had more than 325 participants last year — raised $16,000 in 2007; however, she says this year’s walk is seeking a 59 percent increase in money raised — the exact amount the food bank says requests for food have increased.
        “We’re still looking for participants and sponsors,” said Bedsole. “So far, Methodist University, Fayetteville State University and Fayetteville Technical Community College have agreed to participate, as has Cape Fear High School. The more people and sponsors we get, the more money we raise for the food bank.”
        The walk has 2-mile and 6.2-mile options and will begin at 3 p.m. at Haymount United Methodist Church. Some runners will compete, but they will start before the walkers. 
        Bedsole says the walk is mostly symbolic, with participation by families pushing strollers and even senior citizens.
        “We had one lady who was 84 walk last year,” said Bedsole.
        Griffin says he is appreciative of any help the crop walk can provide the food bank.
        Even though the food bank, which is part of the Cumberland County Action Committee, Inc., is helped out by a long list of sponsors such as Food Lion, the Campbell Soup Company, Wal-Mart, Frito-Lay, Coca-Cola, Pepsi and Sam’s Club, more help is needed.
        “The demand continues to rise,” said Griffin.
        Griffin says the food bank generally provides food through the various organizations that identify families in need, though anyone showing up at the facility on 406 Deep Creek Road needing food will not be turned down. For more information on the food bank or to donate, call 485-8809.
        If you would like to participate in the crop walk or make a donation through that organization, check out the Web site at www.crophungerwalk.org. You can also call Bedsole at 484-6896 or contact the Rev. Laura Lupton at laura@techtutors.org.

    Tim Wilkins, Associate Editor
    COMMENTS? 484-6200 ext. 105 or tim@upandcomingweekly.com


  •     Chris Kastner is new to downtown Fayetteville’s artist co-operative, Cape Fear Studios. She found them by happenstance, which looks like it will work out well for her and the studio. {mosimage}
        “I happened to see an ad in the paper and it intrigued me” said Kastner. 
        Her expertise is more administrative than artistic, but that’s what made her such a good fit for the administrator position. She is no stranger to nonprofit organizations, and brings years of experience from serving on and chairing the boards of Fayetteville Academy and the Cumberland County Medical Alliance Society, which is a physicians’ spouses group. “I was president of that (Cumberland County Medical Alliance Society) when we rewrote bylaws and restructured our organization and things like that,” said Kastner. “So I have a lot of leadership experience in nonprofit work.” 
        Even so, the organization has proven to be more than Kastner realized. “I didn’t really know that much about Cape Fear Studios, and I told them in my interview that to me that was one of the problems with the organization is that they’re just not that well known for all the things that they do,” said Kastner. And that is something she plans to change.
    “We’re just starting to look at doing some kind of annual campaign in the fall. We have classes here during the week, some of the instructors at Fayetteville Tech are members and their actual courses at FTCC are taught at CFS on Tuesdays.  There are all kinds of things that I never knew went on in addition to having a new artist every month for 4th Friday,” said Kastner. 
        “There is an annual pottery competition that’s coming up in September and they invite potters from all over the state to participate. The studio also gives a $500 scholarship to a local art student, and they are going to start a national competition for painters,” she added. 
        The first one of those will be in the spring of 2009. Artists from Cape Fear Studios also give classes at a local nursing home and host a children’s program at one of the transitional housing developments in town as well as participating in Santa’s Workshop in December.
        Pointing out that Cape Fear Studios has been in business for 17 years, she noted, “They were here back when Hay Street was still Hay Street, as the members like to say.”  
        One of Kastner’s goals is to get the word out about all the great programs and other activities going on at the studios, and bring in as much support as she can to help increase visibility. “I think our location is great with all the downtown renovation stuff but we need to get people to come off Hay Street during 4th Friday,” Kastner noted. “I hope that that changes as our name gets out there a little more; that we’ll become more of a destination.”
        The position is part-time right now but Kastner hopes the studio will grow enough to eventually take on some support staff. Currently, the artists provide the bulk of the support for all of the programs. 
        “Yes, they want to give their time here but they are also professional artists. My job is to help balance that,” said Kastner. “Yes, they can give their time but they need to let me support them so that they can still have time to do their art.”
        With seven artist studios in the building, anyone can walk in and watch an artist creating, check out the retail items sold by the members, take in the creative energy and ambiance and hopefully become inspired or moved by what they find there. “I just am amazed because I am not a creative person. I am an organized, logical kind of person. To wander through here and watch them creating is amazing to me,” said Kastner.
        Cape Fear Studios is located at 148 Maxwell St., downtown.
  •     {mosimage}

        Gyros. The Olympics. Jennifer Aniston.
        That’s pretty much the extent of most Americans’ knowledge of Greek tradition and heritage. However, from Sept. 12-14, area residents will have the opportunity to learn about all things Greek as the 18th Annual Greek Festival is held in Fayetteville.
        The festival — hosted by Sts. Constantine and Helen Greek Orthodox Church — will feature live bands, traditional Greek dance, vendors, arts and crafts and Greek foods and desserts. The Cumberland County Library van will also be there registering children for library cards — so they can check out books on Greece — and the Fayetteville Fire Department will have trucks on hand for kids to scramble on and into, as well as giving the kiddies a chance to aim a fire hose at a simulated fire wall; additionally, children will be treated to a trackless train, two large bouncers, two large inflatable slides and assorted games and activities. For the adults, there will be appearances by Mayor Tony Chavonne; beauty queens from the Dogwood Festival and Miss North Carolina; three Greek dance troupes from Sts. Constatine and Helen Greek Orthodox Church; Greek vendors providing religious and cultural jewelry, antiquities and art; and, there will also be a raffle, with the winner receiving two round trip tickets to Athens, Greece.
        Speaking of the “old country,” Athena Sarantoulias came to Fayetteville 39 years ago, and for years operated the old Monticello Restaurant on Gillespie Street with her husband, George.
        The restaurant was a downtown landmark and favorite hangout of judges and lawyers who worked at the nearby Cumberland County Courthouse. These judicial officials helped Sarantoulias learn English, while a thriving Greek community welcomed her with open arms and fresh bacalava — despite her geographic origins.
        “I am from the southern part of Greece and was welcomed by many from the rival northern part of Greece,” said Sarantoulias. “This was really a big deal.
        “The American people welcomed me the second day I came to Fayetteville,” said Sarantoulias. “They supported me, and my husband, all the years we operated the restaurant.”
        Sarantoulias has helped repay the kindness of strangers by helping bake pastries for the Greek Festival. She is part of a team that will bake about 60 trays of Greek desserts such as bacalava, finiki and koulakia for the 10,000 or so hungry festival goers expected to show up for the weekend.
        Litsa Derosa, secretary at Sts. Constatine and Helen Greek Orthodox Church, said the pastries will be baked at the adjacent Hellenic Center. She also says that some Americans have a hard time wrapping their taste buds around the sweet treats.
        “Especially bacalava,” said Derosa, who came to Fayetteville from northern Greece 14 years ago following her husband, who is now retired from the military. “It has syrup and most are surprised at just how sweet it is. It’s not what they expected.”
        However, Derosa adds that most novice tasters love the taste of finiki and koulakia — Greek versions of cookies.
        In addition to Greek desserts, there will be plenty of other Greek specialities, including shish kabobs and gyros.
        “There will be a lot of lamb,” said Derosa. “If you haven’t had Greek food before you are in for a real treat.”
        But there will be so much more than great Greek food. Musical tastes of all genres will be sated by the Greek band Zephyros from Baltimore. Derosa is particularly excited about the performance by Zephyros, which performed at last year’s festival to much acclaim.
        “They are so popular that we had to book them for this year’s festival immediately after last year’s festival,” said Derosa. “They are more than just music — the emcee tells Greek stories and explains each song. Everybody likes them — Greeks and Americans.”
        This blending of Greek and American is the very heartbeat of the festival. While the approximately 150 Greek-American families that live in Fayetteville are as American as Freedom Fries and apple pie, they still want to honor their heritage.
        “It (the festival) means everything to me,” said retired Father Chrysostom Manuel of Sts. Constatine and Helen Greek Orthodox Church. “It is my very entity, my culture... music wise, art wise. For those of us who were born there, it reminds us of the old country.”
        Sarantoulias, who sold 1,000 tickets to the event this year — the most by any individual — puts it even more succinctly.
        “I love America,” said Sarantoulias, “but I also still love Greece.”
        The Greek Festival is a major fundraiser for Sts. Constatine and Helen Greek Orthodox Church, located at 614 Oakridge Ave. — the other major fundraiser being the church’s famous spaghetti dinner which will be held on Nov. 19, also at the church. The festival will be held at Sts. Constatine and Helen Greek Orthodox Church during the following hours: Friday and Saturday, 11 a.m. to 10 p.m.; Sunday, noon to 7 p.m.

    Tim Wilkins, Associate Editor
    COMMENTS? 484-6200 ext. 105 or tim@upandcomingweekly.com


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