Entertainment

New series pairs world-class billiards players, comfort food

18The haze of smoky pool halls and the stereotype of greasy bar food are fading into history. In their place, a cultural revival is underway. With the pool table market projected to grow by nearly $85 million by the end of the decade, driven largely by a wave of younger enthusiasts, billiards is enjoying a renaissance that blends heritage with modern appeal.
Now, a new television series aims to capture that momentum by pairing legendary cue artists with the flavors that shaped their lives. Grace the Table is an episodic series that brings together world-class billiards players and the nostalgia of comfort food for intimate, revealing conversations far from the tournament spotlight. At its heart lies a simple, but compelling question: What happens when the greatest players in professional pool come “to the table” not to compete, but to connect, over meals rooted in childhood memory and tradition?
The series is hosted by Allison Fisher, widely regarded as the world’s top female billiards player and known globally as “The Duchess of Doom.” Over a career spanning decades, Fisher has built a legacy defined by precision, dominance and grace under pressure. Now, she steps into a new role; one that swaps the intensity of tournament play for the warmth of shared stories and shared plates.
“Billiards has given me a lifelong passion, and with Grace the Table, I get to celebrate the players who’ve defined it,” Fisher said. “Sharing great food and even better stories with these icons is an experience I’m thrilled to bring to audiences everywhere.”
Each episode invites a legendary figure in professional pool to sit down with Fisher for open, personal conversations about life, love, competition and cuisine. The atmosphere is intimate and reflective. The pool cues may be nearby, but they are secondary to the laughter, vulnerability and memories served alongside Southern staples and beloved family recipes.
Earl Strickland, winner of more than 100 championships and three world titles, brings decades of fiery competitiveness and unfiltered candor. Known for his intensity at the table, Strickland offers viewers a different side, reflecting on the sacrifices and passions that fueled his storied career. Jeanette Lee, famously dubbed “The Black Widow,” is recognized worldwide for her fierce competitive edge and magnetic presence. Ewa Mataya Laurance, known as “The Striking Viking,” brings the perspective of a trailblazer and Hall of Famer who helped redefine opportunities for women in billiards. And Mike Sigel, a Billiards Hall of Fame inductee and technical advisor on The Color of Money, shares stories from an era that helped propel pool into mainstream pop culture.
Behind the scenes, the series is produced by Dirty Laundry Picture Company, an independent, creator-led studio based in Clinton, North Carolina. Founded in 2025 by producer Monty Hobbs, DLPC was established as Sampson County’s first professional film studio, bringing high-end cinematic production capabilities to a region historically underserved by the entertainment industry. For Hobbs, the project is both professional and personal.
“Being from this area, I find food and billiards go hand in hand,” Hobbs said. “Producing a show with legends in the sport, talking about their lives while indulging in the food from their childhood that provides comfort is everything that I could ask for.”
From a producer’s standpoint, Hobbs believes Grace the Table stands apart from traditional sports programming or food-centric series.
“It has never been done before,” he said. “All these world-class legendary players under one roof. You’re not just watching highlights or recipes. You’re watching history sit down together.”
The Fayetteville and Clinton area was selected intentionally. According to Hobbs, Southeastern North Carolina’s deep roots in pool culture and its rich tradition of down-home cooking made it the perfect setting.
“The area has such deep roots to the pool and is rich in comfort food and down-home cooking,” he said. “Why not shed some light on the history of southeastern North Carolina?”
The series also carries emotional resonance beyond the spotlighted legends. One behind-the-scenes moment Hobbs described as especially meaningful involves Fisher and her mother, Christine, sharing in the experience together during filming; a reminder that even the fiercest competitors are grounded in family.
Beyond entertainment, Grace the Table represents an opportunity to elevate Eastern North Carolina’s growing film and television industry. With DLPC’s commitment to authentic storytelling grounded in real-world relevance, Hobbs hopes national audiences will take notice of the region’s creative potential.
“We hope big,” Hobbs said. “All my shows have national airings and followings. Hopefully, people can see the area’s beauty, and the legends can film here as well.”
An anticipated release is slated for late summer to early fall 2026. When audiences finally pull up a chair, Hobbs hopes they leave with more than admiration for the players’ accolades.
“Love, affection and a warm feeling,” he said. “A show that is geared toward relaxing in a world that we surely need.”
In an era defined by rapid content consumption and relentless competition, Grace the Table offers something slower and more nourishing… a reminder that behind every champion is a story, and behind every story, a table where it all began.

(Graphic courtesy of Dirty Laundry Picture Company)

"Blues Is Alright Tour" comes to Crown Coliseum

17The Blues Is Alright Tour will return to the Crown Coliseum on March 6 with a lineup rooted in blues, Southern soul and classic R&B, offering audiences a night defined by storytelling, rhythm and live musicianship.
The nationally touring showcase has built a reputation as one of the premier blues-centered concert experiences in the country. Rather than spotlighting a single headliner, the tour typically features multiple artists, creating a festival-style atmosphere under one roof.
For Crown Complex General Manager Gary Rogers, the tour’s appeal in Fayetteville is both cultural and generational.
“The Blues Is Alright Tour blends blues, Southern soul and R&B styles with deep roots in the Southeast and across the South,” Rogers said. “That musical heritage resonates well with audiences in Fayetteville and surrounding communities that appreciate soulful, storytelling-driven live music.”
Blues music has long served as a foundation for American popular music, influencing everything from rock to gospel to modern R&B. In the South, its influence runs especially deep. Rogers said that connection continues to draw consistent attendance at the Crown.
While some concert genres see demographic shifts over time, Rogers noted that blues and soul have experienced growth across age groups rather than decline.
“Honestly, the age of the audience continues to grow in both directions,” he said. “Great music will always be relevant at any age.”
That cross-generational appeal has become more noticeable in recent years, as younger listeners discover classic soul and blues artists through streaming platforms, family influence and live performances. At the same time, longtime fans continue to support the genre they grew up with.
What distinguishes the Blues Is Alright Tour, Rogers said, is the audience’s engagement.
“The Blues Is Alright Tour audience tends to be engaged, mature and deeply appreciative of authentic live music,” Rogers said. “They not only hear the music, but they also feel it — and throwing in Southern soul gets this audience up and moving. It’s always a great time
with this crowd.”
Concertgoers can expect powerful vocal performances, expressive guitar work and extended musical interplay that emphasizes musicianship. Unlike heavily choreographed pop productions, blues concerts often center on raw delivery and emotional connection.
From a venue standpoint, Rogers said attention to sound quality is critical.
“With blues and soul, clarity matters,” he said. “You want every instrument and every vocal line to come through clean.”
Events like the Blues Is Alright Tour also contribute to Fayetteville’s broader cultural landscape. The Crown Complex regularly hosts concerts spanning genres from country and hip hop to comedy and faith-based programming. Blues remains an important part of that rotation.
“Live music helps bring people together,” Rogers said. “It gives the community something to rally around.”
In addition to cultural impact, national tours bring economic activity to the region. Concert nights often increase traffic to nearby restaurants and hotels, generating revenue beyond the venue itself.
As anticipation builds, Rogers expects the Blues Is Alright Tour to once again deliver an evening defined by rhythm, nostalgia and connection.
“There’s something timeless about blues,” he said. “It speaks to experience. And when it’s performed live, you feel that.”
The Blues Is Alright Tour will take place at Crown Coliseum. Tickets start at $77, and can be purchased at https://www.crowncomplexnc.com/events/detail/the-3rd-annual-ville-city-blues-festival or by calling the Crown box office at 910-438-4100.

Fayetteville Liberty launches service, community, opportunity

12In a region shaped by military service and rapid change, a new professional basketball team, The Fayetteville Liberty, is launching with a community-driven vision that blends sports, service and economic opportunity.
With more than 50,000 active duty service members, 150,000 veterans and an estimated 260,000 military family members living in the region, team leaders say the choice of name and mission was intentional. The organization was formed in the wake of the installation’s historic 2024 renaming from Fort Bragg to Fort Liberty, a change that team founder Robert Edwards said symbolized the values the franchise intends to champion.
“The name Liberty represents freedom and the sacrifices made to protect it,” Edwards said. “We want to stand alongside service members and their families while helping build a stronger community.”
Edwards’ path to launching a franchise began long before the Liberty took shape. Born in Cleveland and raised in a military environment, he served 17 years in the United States Army and retired as a Chief Warrant Officer 2, specializing in information systems technology. His career included concentrations in cybersecurity and information assurance, experiences he said shaped his leadership approach and long-term vision.
His academic background reflects a blend of technical expertise and business strategy. Edwards holds a Bachelor of Science in Business Administration with a concentration in accounting and an MBA in cybersecurity. He said the combination of military experience and education helped prepare him to lead a complex organization that blends sports, business and community service.
Faith and communication have also played a central role in his leadership style. Edwards previously served as an associate pastor, an experience he credits with strengthening his ability to motivate teams and build partnerships.
Before forming the Liberty, Edwards briefly worked with another Fayetteville basketball venture as part of its media team. That organization ultimately folded, but the experience left a lasting impression. Edwards said it convinced him the city had the passion and potential to support a successful franchise built on a strong community foundation.
“That experience showed me the possibilities for basketball in Fayetteville,” he said. “It also made it clear that we needed a sustainable, community-focused vision.”
That vision is reflected in the Liberty’s motto, “Hope in the Community,” a phrase Edwards uses to describe the organization’s approach to service and outreach.
Even before its first game, the team has emphasized local engagement. The Liberty has awarded three scholarships, hosted three youth basketball camps and sponsored three schools in the region. Edwards said the early efforts were meant to demonstrate the organization’s commitment to community investment from the start.
“Self-interest will not work here,” Edwards said. “Success can be homegrown.”
He believes the long-term goal is to create a pipeline for young athletes in the region, giving them opportunities to develop their skills while remaining connected to their hometown. Fayetteville, he said, should become known as a place where athletes begin their journey.
Team leaders say the Liberty’s mission extends beyond athletics. They hope to operate within what Edwards describes as an ecosystem of high-level commerce, using sports as a catalyst for business growth, networking and regional visibility.
The concept reflects a broader trend in sports where teams function as anchors for economic development and civic pride. By combining entertainment, community outreach and business partnerships, the Liberty hopes to create a platform that benefits residents and attracts outside investment.
The organization’s leadership team includes professionals from marketing, community engagement and sports operations, all aligned around the goal of building a sustainable franchise. Edwards said collaboration has been essential in shaping the team’s early direction.
13“Behind the scenes, many people are contributing their expertise and teamwork,” he said. “Their commitment is helping bring this vision to life.”
The connection between basketball and military culture remains central to the franchise identity. Leaders say the values that define service members—discipline, unity and sacrifice—are the same values that drive success in sports.
Liberty aims to use that shared foundation to build relationships across the region. The team plans to partner with local organizations, schools and businesses to expand outreach efforts and strengthen ties within the community. An effort that is already visible daily in Fayetteville.
For Fayetteville residents, the arrival of a new basketball franchise represents both entertainment and opportunity. Leaders hope the team will become a gathering point for families, veterans and young athletes alike.
The Liberty’s inaugural game is scheduled for March 6 at the Crown Complex vs. the Raleigh Firebirds, marking the beginning of the franchise’s first season. Tickets start at $22.85, and can be purchased by visiting https://www.crowncomplexnc.com/events/detail/fayetteville-liberty-3625-game
The event will include a performance by North Carolina recording artist Petey Pablo, signaling the team’s commitment to blending sports with regional culture and entertainment.
Edwards said the opening game is only the first step in a long-term plan that extends well beyond a single season. He emphasized the importance of consistency and long-term growth, noting that the organization is already focused on future seasons.
“For us, this is about building something that lasts,” he said. “We are thinking about seasons two, three and beyond.”
The team’s leadership believes Fayetteville is ready for a franchise that reflects the city’s identity and aspirations. By connecting sports, service and economic development, the Liberty hopes to create a lasting impact both on and off the court.
As the inaugural season approaches, Edwards said the organization remains committed to its founding principles: honoring service, restoring hope and building community through basketball. If early momentum is any indication, the franchise is determined to prove that success can indeed be homegrown.

(Photos courtesy of the Fayetteville Liberty)

Anne Wilson brings Christian sound to Fayetteville

16Contemporary Christian artist Anne Wilson will take the stage at Crown Coliseum, bringing a night of worship, modern country influence and personal storytelling to Fayetteville on March 13.
Wilson, whose breakout single “My Jesus” introduced her to a national audience, has quickly become one of Christian music’s most recognizable voices. Blending faith-centered lyrics with a contemporary country sound, she has built a following that extends beyond traditional church settings.
Crown Complex General Manager Gary Rogers said Wilson’s broad appeal made her a natural addition to the venue’s lineup.
“Anne Wilson’s Contemporary Christian Music and modern country appeal, major chart and streaming success, strong live draw and heartfelt storytelling make her a compelling addition to the Crown’s lineup,” Rogers said. “She brings both dedicated fans and broader audiences together for a memorable concert experience in Fayetteville.”
Faith-based concerts have long been part of the Crown’s annual programming. Rogers said those events often create a distinct atmosphere compared to other touring shows.
There is a noticeable sense of anticipation before the doors even open, he said, as many attendees arrive as organized groups rather than individual ticket buyers.
“Group sales and church participation play a huge role in concerts like this,” Rogers said. “When churches and community groups attend together, it helps us build strong energy in the room long before show day.”
That collective participation shapes the experience.
“These events become more than just concerts, they become shared experiences,” he said. “We see groups of all ages coming together, coordinating transportation and inviting others through word-of-mouth. That kind of engagement strengthens both attendance and the overall atmosphere.”
Rogers said those partnerships extend beyond a single performance.
“For us, it’s also about relationships. Working with local churches and community leaders helps position the Crown as a trusted gathering place, not just for one night, but for future events as well.”
Wilson’s performances are known for weaving personal testimony into her setlist. Between songs, she often shares stories about faith, loss and perseverance elements that have shaped her songwriting. Rogers said that combination of music and message resonates deeply with audiences.
“From what I’ve heard, Anne Wilson’s show is part concert, part testimony and part communal experience,” Rogers said. “She combines a high-energy performance, sincere storytelling and amazing moments that stay with you long after the show ends. I guess the fan will have to come to the show to find out.”
The Crown’s ability to host diverse programming from blues and country to comedy and Christian music reflects its broader mission, Rogers said. By offering a range of genres throughout the year, the venue serves a wide cross-section of Cumberland County residents.
Faith-centered concerts, in particular, often draw multigenerational audiences. Families attend together, church groups coordinate outings and community leaders encourage participation.
“It becomes something people share,” Rogers said.
As anticipation builds for Wilson’s performance, Rogers expects a strong turnout from both longtime fans and newcomers discovering her music through streaming platforms and radio airplay.
For the Crown team, the focus remains on creating an environment where the message and music can connect clearly with the audience.
“When people leave encouraged, that’s success,” Rogers said.
Anne Wilson will perform at Crown Coliseum, March 13. Tickets start at $40, and are available at https://www.crowncomplexnc.com/events/detail/anne-wilson-the-stars-tour or through the Crown box office at 91-438-4100.

Camellia Camerata’s inaugural concert celebrates Women

11Women composers’ work is underrecognized and underperformed, says Amanda Virelles. In honor of Women’s History Month and International Women’s Day, Virelles and fellow musicians with the chamber quartet Camellia Camerata will perform selections from a variety of cultural backgrounds and artistic perspectives—all composed by women.
Virelles says Camellia Camerata’s mission is “to foster a vibrant musical community that engages audiences, nurtures talent, and enriches lives through chamber music performance and education.” Their careful curation extends beyond concerts and into outreach initiatives and educational activities. Through these events, they hope attendees will enjoy meaningful artistic experiences and stronger connections within their community.
Their March 8 concert will do just that. Virelles says the program will feature works in a variety of instrumental configurations with Camellia Camerata’s four core musicians—Carlos Castilla, Holland Phillips, Megan Kenny and Virelles—performing in duets, trios, and quartet settings. “This range of ensemble combinations allows each performer to shine individually while also showcasing the group’s dynamic chemistry and versatility,” said Virelles. “By alternating between more intimate pairings and the full quartet, the concert offers a rich and engaging listening experience.”
The evening will be shaped by a range of expressive moods, according to Virelles. Some selections are lyrical and introspective, while others are bold and virtuosic. The entertaining and stylistically varied program is designed to connect the past with the present.
“By including music from earlier centuries alongside works by living composers, we aim to create a thoughtful dialogue between past and present, honoring tradition while also celebrating the vitality of contemporary creativity,” Virelles explained.
They will be performing music by Grazyna Bacewicz, Lili Boulanger, Élisabeth Jacquet de La Guerre, Nadia Borislova, Clara Schumann, and Ethel Smyth.
“Their works reflect a remarkable diversity of voices, cultural backgrounds, and artistic perspectives,” Virelles said of the composers, whose work spans the Baroque era to the present day.
Reflecting on the opportunity to perform works composed by women, Virelles said, “These works are powerful, distinctive, and deeply expressive, yet they are rarely performed on today’s concert stages.”
She says they’re part of a global effort to bring the music of women composers to the forefront in a traditionally male-dominated field.
“By programming their music, we aim to help broaden the repertoire, enrich the concert experience, and contribute to a more inclusive and representative musical tradition.”
While their March 8 concert marks Camellia Camerata’s inaugural performance, it marks only the beginning of a year-long concert line-up. They are currently developing a new lunchtime concert series, which Virelles says is designed to make live chamber music more accessible to busy professionals, students and families. Additionally, they will present their first Chamber Music Festival May 1-3.
Join Camellia Camerata on March 8 at 3 p.m. at Haymount United Methodist Church for a concert featuring rich and powerful music by women composers. For more information, visit https://www.camelliacamerata.org/
“It is both a privilege and a joy to share this music,” said Virelles, “we look forward to offering our listeners a program that is inspiring, thought-provoking, and celebratory.”

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