Arts

Transitions at GroundSwell Pictures: A New Chapter Begins

GroundSwell Pictures embarks on a leadership transition as founders Jan Johnson and Pat Wright pass the torch to new leaders, ensuring the continued success and growth of the Indigo Moon Film Festival.
A Legacy of Inspiration: Jan Johnson and Pat Wright
Jan Johnson and Pat Wright, co-founders of GroundSwell Pictures, have been pivotal figures in the organization’s journey. Their dedication to using film as a medium to educate, inspire, and entertain has left an indelible mark on the community. Over the years, they have tirelessly worked to establish the Indigo Moon Film Festival as a cherished cultural event, celebrating diverse voices in filmmaking and fostering a strong sense of community.
Their contributions to the arts have been recognized with numerous awards, highlighting their commitment and passion. Among these accolades is the establishment of the Film Inspires Change Award in Johnson’s honor, a testament to their enduring impact. While they are stepping aside from their leadership roles, Johnson and Wright will remain active supporters of GroundSwell Pictures, continuing to champion its mission and values.
Welcoming New Leadership: Brandon Plotnick and Erika Forbes
On Jan. 1, Brandon Plotnick and Erika Forbes assumed leadership of GroundSwell Pictures. Both bring a wealth of experience, energy, and a shared passion for the arts that align perfectly with the mission of the Indigo Moon Film Festival. Their dedication to the arts and their vision for the future promise to build on the strong foundation laid by Johnson and Wright.
Plotnick expressed his excitement about the new role, stating, “It’s an honor to be taking on this role after Jan and Pat did so much to make this festival matter in our arts community.”
Forbes echoed this sentiment, saying, “Jan and Pat have left big shoes to fill, but I’m so excited we get to continue bringing their vision to this community.”
Ensuring a Seamless Transition for Future Success
The transition of leadership at GroundSwell Pictures will be carefully managed to ensure continuity and a seamless handover. The board of directors, staff, and volunteers are all committed to supporting Plotnick and Forbes as they step into their new roles, ensuring that the organization’s mission and values remain at the forefront.
This thoughtful approach to the transition underscores the organization’s commitment to its community and stakeholders, ensuring that the Indigo Moon Film Festival continues to thrive and grow under the new leadership.
The Continued Mission of the Indigo Moon Film Festival
The Indigo Moon Film Festival has become a highlight of the cultural calendar, celebrating diverse voices in filmmaking and fostering a strong sense of community. Under the new leadership of Plotnick and Forbes, the festival will continue to uphold its mission of using the power of film to educate, inspire, and entertain.
The festival’s potential to inspire change and bring the community together remains a cornerstone of GroundSwell Pictures’ vision. With fresh perspectives and new ideas, the festival is poised to continue its tradition of excellence and innovation.
Submissions for the 2025 film festival opened November 1, 2024. The early bird deadline to submit films is April 1 and the regular deadline is May 1. For more information on deadlines and how to submit a piece, visit the Indigo Moon Film Festival website at https://filmfreeway.com/IndigoMoonFilmFestival.
Celebrating the Past and Embracing the Future
As GroundSwell Pictures embarks on this new chapter, it is a time to celebrate the incredible legacy of Jan Johnson and Pat Wright. Their vision and dedication have laid a strong foundation for the future, and their impact will continue to be felt for years to come.
At the same time, the organization looks forward to embracing the future with Plotnick and Forbes at the helm. Their leadership promises to bring new energy and ideas, ensuring that GroundSwell Pictures and the Indigo Moon Film Festival continue to be vital parts of the local and global film community.

Cameo Art House Theatre's films in February

A Powerful Film Series for Black History Month
• Spike Lee’s Do The Right Thing – Thursday, February 13, 7:30 PM
• Christopher Everett’s Wilmington on Fire – Wednesday, February 19, 7:30 PM
19DO THE RIGHT THING (1989)
Spike Lee’s Do The Right Thing remains one of the most groundbreaking and provocative films in cinematic history, tackling the complex themes of race, community, and social justice. Set on the hottest day of the year in Brooklyn’s vibrant Bedford-Stuyvesant neighborhood, the film captures the simmering tensions of a diverse community as minor conflicts snowball into larger confrontations. The story explores the intricate dynamics of race relations, personal responsibility, and systemic inequality, culminating in a powerful and unforgettable conclusion that continues to resonate today.
Fayetteville local and published poet El’Ja Bowens highlights the enduring significance of this film, stating, “Do The Right Thing explores race, power, and community, offering a searing social commentary. It’s a thought-provoking film that can spark essential conversations about social justice and equity. Its relevance to current events makes it a must-watch for anyone seeking to understand the world we live in.”
The film features an outstanding ensemble cast, including Danny Aiello, Ossie Davis, Ruby Dee, Giancarlo Esposito, John Turturro, and Spike Lee himself. Their performances bring the characters to life with nuance and depth, reflecting the hopes, frustrations, and humanity of the community they represent. This two-hour masterpiece challenges viewers to confront uncomfortable truths while asking, “What does it mean to truly do the right thing?”
WILMINGTON ON FIRE (2015)
North Carolina’s own Christopher Everett delivers a powerful documentary in Wilmington on Fire, a film that unearths a deeply buried and tragic chapter of American history: the 1898 Wilmington Massacre. This violent coup d’état, led by white supremacists, overthrew the legally elected multiracial government of Wilmington, North Carolina, and established an enduring legacy of racial violence and systemic oppression. Everett’s work not only reveals the brutal events of that day but also explores their far-reaching consequences for both North Carolina and the nation.
Longtime Cameo patron John explains why this documentary is crucial viewing: “You should see Wilmington on Fire if you haven’t because it tells a history about North Carolina that most people don’t know. It’s important to understand the events of 1898 and how they still impact us today. Learning this history helps us grasp the roots of systemic racism and the ongoing challenges we face as a society.”
Through compelling interviews with historians, descendants of victims, and community leaders, Wilmington on Fire delivers a sobering and deeply moving exploration of historical truth. It sheds light on a story intentionally suppressed for over a century, challenging audiences to confront the realities of America’s racial past. This documentary is a poignant reminder of the importance of acknowledging and learning from history to build a more equitable future.
Why These Films Matter
Together, Do The Right Thing and Wilmington on Fire provide two powerful and distinct perspectives on race, history, and social justice in America. While Do The Right Thing examines the intricate dynamics of a modern-day urban community, Wilmington on Fire uncovers a pivotal historical event with implications that echo through the present. Both films challenge viewers to reflect on issues of equity, systemic injustice, and the ways we can work towards a better future.
Celebrate Black History Month by experiencing these two films. Tickets are available now at the Cameo Art House Theater or on their website.

Celebrate Valentine’s Day with Casablanca19a
This Valentine’s Day, experience romance, intrigue, and nostalgia with a special screening of Casablanca at Fayetteville’s historic Cameo Art House Theatre. A timeless classic beloved by generations, Casablanca is the perfect way to celebrate love in the heart of a community deeply connected to its themes of duty, sacrifice, and passion.
Special Event Showtimes:
• Friday, February 14: 8:00 PM
• Saturday, February 15: 4:00 PM
Why Casablanca is the Ultimate Valentine’s Date Movie
Few films capture the complexities and beauty of love as perfectly as Casablanca. At its heart, it’s a story about love tested by time, war, and impossible choices. The iconic romance between Rick Blaine (Humphrey Bogart) and Ilsa Lund (Ingrid Bergman) transcends the screen, reminding us that love often means sacrifice and that true connection can endure even in the face of heartbreak.
As you and your loved one watch Rick and Ilsa’s bittersweet journey unfold, you’ll find yourself swept away by the passion, longing, and nostalgia of one of the most romantic films in cinematic history.
Set in the exotic, tension-filled backdrop of wartime Casablanca, the movie creates a dreamy atmosphere perfect for a Valentine’s date. Add to that its unforgettable dialogue and the hauntingly beautiful “As Time Goes By,” and you’ve got a cinematic experience that’s as timeless as love itself.
A Special Connection to Fayetteville and Fort Liberty
The themes of love and duty in Casablanca resonate deeply with Fayetteville, home to Fort Liberty (formerly Fort Bragg). Released during World War II, the film became a symbol of resilience and sacrifice for countless military families. Its depiction of the struggles and choices faced by those living in uncertain times mirrors the experiences of service members and their loved ones.
By hosting this screening, the Cameo Art House Theatre brings a piece of that history to life, allowing our community to reflect on its own connections to the film’s enduring message.
A Magical Evening at the Cameo
The Cameo Art House Theatre offers the perfect romantic setting for this Valentine’s Day experience. Nestled in downtown Fayetteville, the theater’s vintage charm and intimate atmosphere make it the ideal spot to celebrate with your loved one. Indulge in wine, beer, and gourmet treats from the concession stand as you cozy up for an unforgettable evening. My personal suggestion is to have a nice dinner at Pierro's Italian Bistro or Antonella's Italian Ristorante, see a movie at the Cameo and then end the night with coffee and cake at Rude Awakening Coffee House; all on Hay Street!
Event Details
• Location: Cameo Art House Theatre, 225 Hay Street, Fayetteville, NC
• Tickets: Available online or at the box office. Seats are limited, so secure yours now!
Film Information
• Directed By: Michael Curtiz
• Written By: Julius J. Epstein, Howard Koch, Murray Burnett
• Starring: Humphrey Bogart, Ingrid Bergman, Paul Henreid
• Rated PG | Runtime: 1 hr 42 min
Don’t Miss Out!
Whether you’re rekindling an old flame, creating new memories, or simply looking for the perfect romantic night out, Casablanca at the Cameo is an event you won’t want to miss. Celebrate love, honor its sacrifices, and step into the magic of one of the most iconic films of all time.
Reserve your tickets today, and let the magic of Casablanca make this Valentine’s Day one to remember. After all, “We’ll always have Paris.”

(Posters courtesy of the Cameo Art House Theatre)

ArtBeat of The Warehouse: New home for local artists

11As the great Irish playwright and political activist George Bernard Shaw said, “Don’t wait for the right opportunity; create it."
That’s exactly what 226 The Warehouse and new Special Events and Marketing Director, Ayana Washington did with a new initiative, The ArtBeat of The Warehouse. What started as a tour of the venue space for an upcoming event turned into a partnership that will bring some of the best events of 2025.
Although 226 The Warehouse has only been open for a short time, it has already made an impression on the city. It hosts events for Cool Spring Downtown District, private parties, military balls, and weekly game nights. The space is unique to the downtown area, in its ability to cater to a variety of events, easily creating the perfect ambiance for any occasion of any size.
When Washington walked through the place, that is exactly what she felt saying, “226 The Warehouse is a transformative venue that can adapt to any vision. With the help of event coordinators like myself and Ebony, the space can become whatever you imagine—from an elegant gallery to an energetic performance venue. It’s a blank canvas just waiting to be filled with creativity.
“While exploring venues for The Blueprint Concert & Awards, I toured 226 The Warehouse and spoke with the owner, Rob. I shared my vision for the event and opened up about the challenges artists face in finding affordable spaces to showcase their work. Rob saw the potential for collaboration and asked about my skills. Our partnership was born when he offered me a creative home for my ideas, and in return, I offered to assist with marketing and updating the venue’s website.”
Washington and 226 co-owner Robert Savage have been diligently planning a score of events and the rollout of the initiative to the community.
“The ArtBeat of The Warehouse initiative is designed to empower artists by providing them with a versatile and welcoming venue to showcase their talents. By offering a space that adapts to various artistic expressions—be it visual arts, music, dance, or poetry—226 The Warehouse enables artists to reach new audiences and engage with the community. This initiative not only alleviates the financial burden of securing performance or exhibition spaces but also fosters a collaborative environment where artists can network, collaborate, and grow professionally. I’m genuinely excited about all of the events! Each one brings something unique to the table, and I love how they reflect the diversity and creativity within our community. I can’t wait to share even more events as part of The ArtBeat of The Warehouse,” Washington said.
There are already some spectacular events planned for the coming month.

R&B Paint Party with Black Canvas
February 6
7 p.m. - 9 p.m. After party 9 p.m.- 11 p.m.
An evening where participants create art while enjoying R&B music, guided by local artists. This event allows Black Canvas to build a new audience without the stress of venue costs, bringing the arts to more people.

Poetry Slam featuring Rudy Francisco with Wild Seed Slam
February 8
A dynamic poetry slam featuring celebrated poet Rudy Francisco alongside talented local poets. This event offers Wild Seed Slam participants the opportunity to gain exposure, perform for a larger audience, and connect with an internationally recognized artist.

Shall We Dance with Fayetteville Latin Dance LLC
February 14
7:30 p.m.- 11 p.m.
An interactive dance event introducing participants to Latin dance styles, taught by professional dancers. This event promotes Fayetteville Latin Dance LLC by showcasing their expertise, attracting potential students, and fostering appreciation for Latin culture and the arts.
Washington and 226 The Warehouse have created a home of opportunity for local artists. A space to showcase their impeccable talent, in any form.
“I want the community to know that 226 The Warehouse is more than just an event space—it’s a hub for creativity, collaboration, and connection. Through partnerships like ours, we’re working to make art and culture accessible to everyone in Fayetteville and beyond. Whether you’re an artist looking for a platform or someone seeking unique experiences, 226 is the place to be. Stay tuned because we have so much more to share!” Washington said.
Follow 226 The Warehouse on social media platforms for more information about upcoming events. To connect with Ayana and get involved with ArtBeat of the Warehouse, email info@226thewarehousenc.com.

A musical journey through Black History with CCA

12There is no denying the influence of black culture in America. While “the culture” is celebrated all year, February is a time to highlight its powerful impact on American history and the popular trends it has and continues to create.
From Willie Mae “Big Mama” Thornton to Prince, Black Americans have and continue to set the standard in the industry. Join the Cumberland Choral Arts and take a journey through Black History at the fifth annual Lift Every Voice and Sing concert on Saturday, Feb. 15th at Holy Trinity Episcopal Church located at 1601 Raeford Rd. at 7 p.m.
This year’s show theme is Love Songs and will highlight some of the best of old school R&B from the ‘70s, ‘80s and early ‘90s. The concert will also feature poetry, monologues, and spoken word.
LEVAS founder, Cumberland Choral Arts member and Board Member, Brenda Vandervort-Miller started this event in 2020 with a very particular concept in mind.
She explained “After attending a few Black History events when I moved here in 2008, I noticed there didn’t seem to be any mention of historical Black Americans whose contributions to our history included the arts or music. This was an idea that I’ve had for several years. But the real inspiration came from watching Beyoncé’s Homecoming on Netflix the summer of 2019. When she began to sing “Lift Every Voice and Sing” a lightbulb went off, and I began to jot down some thoughts. Before I knew it, I had a complete program to present to the CCA Board.
"They overwhelmingly supported the idea and here we are, 5 years later. [This year] We’ll be highlighting some of the R&B giants like Whitney Houston, Anita Baker, and Luther Vandross. There will be a few surprises as well that we’re very excited for.”
The Cumberland Choral Arts has been providing quality and culturally relevant concerts since 1991.
“Cumberland Choral Arts is a community symphonic choir, comprised of singers from within the Sandhills region. We typically perform 4 concerts a year, to include our holiday tradition of a joint production of Handel’s Messiah with Fayetteville Symphony Orchestra,” she said.
Tickets are $15 for adults and $5 for students and can be purchased at https://bit.ly/4hEMey9
The next big concert for CCA is a joint concert with Grey’s Creek High School Chorus Program on March 9 at Grey’s Creek High School, a can’t-miss event “covering” all the classics.
“Our next event will be our Covers concert, where we’re partnering with Gray's Creek High School. For this show we’ll be performing Pop, Rock, and R&B hits, including a few from Queen, and Earth Wind and Fire!” Vandervort-Miller said.
This concert will feature special guest The Guy Unger Band. Rolling into the summer, CCA will hold a special pre-Carngie Hall screening of Morten Laurisen’s Lux Aeterna at First Presbyterian Church (102 Ann Street) on May 17 at 7:30 p.m.
For more information about the Cumberland Choral Arts and upcoming events visit the website at https://www.cumberlandchoralarts.org/ and on Facebook at https://www.facebook.com/CumberlandChoralArts.

(Photo: Joy Vandervort-Cobb, a special guest, performs during Lift Every Voice and Sing in 2024. The concert has been a Fayetteville staple since 2020.)

Golden Globe-Winning Brazilian film I’m Still Here coming to Cameo Art House Theatre

18The Brazilian political biographical drama I’m Still Here (Portuguese: Ainda Estou Aqui), directed by Walter Salles, is set to premiere at the Cameo Art House Theatre on Feb. 7. This 2024 release has already garnered international acclaim, including a Golden Globe win for Best Actress in a Motion Picture – Drama for Fernanda Torres and a nomination for Best Foreign Language Film.
Based on Marcelo Rubens Paiva’s 2015 memoir, the film chronicles the life of his mother Eunice Paiva. With a screenplay by Murilo Hauser and Heitor Lorega, I’m Still Here brings an intimate and harrowing chapter of Brazilian history to the screen, resonating with audiences worldwide.
A Story of Courage and Loss
In 1970, former congressman Rubens Paiva returns to Rio de Janeiro after six years of self-exile following the revocation of his tenure during the 1964 Brazilian coup d’état. Settling into an idyllic home near Leblon Beach with his wife Eunice (played by Torres and Fernanda Montenegro) and their five children, Paiva resumes his civil career while quietly supporting expatriates.
Amidst rising political tensions sparked by the kidnapping of the Swiss ambassador by far-left revolutionary movements, Paiva’s home is raided by the military in January 1971. He is arrested and subsequently disappears. Eunice, refusing to stay silent, publicly demands answers, leading to her own arrest and 12 days of torture. Their teenage daughter, Eliana, is also imprisoned, though she is released after 24 hours. The family’s persistence in seeking justice ignites moderate media outrage, but Eunice presses on.
A Critical and Commercial Success
Since its premiere at the 81st Venice International Film Festival, where it won Best Screenplay, I’m Still Here has achieved remarkable success, grossing $11.3 million on a $1.5 million budget. It has been recognized among the National Board of Review’s Top 5 International Films of 2024 and has advanced to the December shortlist for the 97th Academy Awards’ Best International Feature Film.
Despite facing an attempted boycott by Brazil’s far-right, the film has resonated deeply with
audiences, further cementing its place in modern cinema.
Brazil’s Alarming Pattern of Police Violence
The issues explored in I’m Still Here remain disturbingly relevant today. Alarmingly, individuals of African descent are three times more likely to become victims of this violence than their white counterparts. The UN has noted that these acts of brutality are not isolated incidents but form an “alarming pattern” that has deeply eroded public trust in law enforcement, especially among marginalized communities. Most homes have high walls with barbed wire or glass on tops and eclectic fences; all added in the time of military dictatorship.
This erosion of trust was echoed by a personal experience I had during one of my many visits to Brazil. I’ve been there over a dozen times and witnessed firsthand the fear that permeates interactions with police. Unlike in the U.S., Brazilian police are heavily militarized, routinely carrying large firearms and traveling in groups of three or four. I once saw a routine traffic stop for speeding in which all four officers approached the driver with their guns drawn as usual protocol.
A Brazilian friend of mine recently lost his uncle to police violence in December. Homeless and struggling with addiction, his uncle’s death remains shrouded in unclear circumstances. He was Afro-Brazilian. Such incidents highlight the immunity that Brazilian police enjoy, as they are rarely, if ever, held accountable for their actions.
Why I’m Still Here Matters
This film is not only a powerful tribute to those who fought for justice during Brazil’s darkest years but also a stark reminder of the dangers of unchecked government power. As Brazil faces increasing political instability and growing concerns over authoritarianism, I’m Still Here is a chillingly relevant reflection of how history can repeat itself.
According to the United Nations, since 2019, Brazil has seen a rise in aggressive and militarized policing, particularly under far-right leadership. In Rio de Janeiro alone, police killed 1,810 people that year — an average of five deaths per day. The Brazilian police kill an average of 17 people per day.
“In 2024, the Military Police in Brazil killed 6,296 people, equivalent to eight times the rate of people killed by police in the United States. The overwhelming majority of these victims are Black, poor, young, male, non-educated, and living in urban peripheries," reports North American Congress on Latin America.
Why is a movie that takes place in the ‘70s so relevant and still so urgent in 2024? Isn't this movie about a distant past, that of a former military regime that a democratic regime has replaced? On paper, yes, however… The military police in Brazil and its actions show us a brutal reality — Brazil has not overcome its dictatorial past since the current police force is a kind of an abomination in the current democratic world. Even though Brazil has a civil police force, the military police do the vast majority of police operations on the streets and among the civilians.
The militaries are still dangerously present amongst the civilian Brazilian population, constantly acting aggressively and lethally in the country, under the warfare mentality of the military period — which is not a practice in the vast majority of countries worldwide.
CNN Brasil featured, the very month the movie came out, the military police videotaped, throwing a man off a bridge. Police said it was an exception because the police officer was “mentally unstable at the time”.
Brazil’s Heart and Spirit
Despite rising violence towards certain groups in Brazil, the country is still a land of breathtaking beauty, vibrant culture, and deeply rooted values. Its people are known for their warmth, love of life, and the importance they place on family. From the rich flavors of feijoada and pão de queijo to the rhythmic beats of samba and the stunning landscapes of the Amazon rainforest, Brazil is a country that celebrates resilience and connection.
Don’t Miss I’m Still Here
Tickets for I’m Still Here are now available at the Cameo Art House Theatre. The film begins its run on February 7th and offers a rare opportunity to experience a globally acclaimed masterpiece that shines a light on Brazil’s fight for justice and human rights.

(Photo courtesy of Cameo Art House Theatre)

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