Arts

See "The Thing" at 4th Friday Fright Night at the Cameo

17On Friday, March 28, at 9:45 p.m., prepare for an unforgettable cinematic experience as 4th Friday Fright Night presents John Carpenter’s legendary sci-fi horror film, The Thing (1982). This one-night-only screening offers fans a chance to witness the film’s masterful suspense, groundbreaking practical effects, and relentless terror as it was meant to be seen on the big screen, in the dark, with an audience.
The Ultimate Paranoia-Fueled Horror
Set in the icy desolation of Antarctica, The Thing follows a team of American researchers who unwittingly uncover an ancient, shape-shifting entity. The creature, capable of perfectly imitating any living being, infiltrates their ranks, turning allies into threats and trust into a dangerous liability. Helicopter pilot R.J. MacReady, played by Kurt Russell, leads the desperate fight for survival as paranoia spreads, alliances crumble, and the team’s reality fractures into nightmarish uncertainty.
From its eerie opening scene to its bleak, ambiguous ending, The Thing is a masterclass in slow-burning tension. Carpenter’s expert direction, combined with Bill Lancaster’s tightly woven script based on John W. Campbell Jr.’s novella Who Goes There? ensures that every moment pulses with dread.
A Cult Classic That Defined a Genre
Upon its initial release, The Thing struggled at the box office, overshadowed by the feel-good optimism of E.T. the Extra-Terrestrial. However, time has been more than kind to Carpenter’s vision, and the film is now celebrated as one of the greatest horror movies ever made. Its pioneering use of practical effects, designed by the legendary Rob Bottin, remains a benchmark in creature design and body horror. The film’s themes of paranoia, isolation, and identity have made it a timeless piece of cinema that continues to inspire filmmakers and terrify audiences to this day.
Beyond its striking visuals and nerve-wracking tension, The Thing serves as an exploration of human psychology under pressure. The film cleverly avoids traditional horror tropes, offering instead a deeply unsettling experience rooted in distrust and survival instincts. As the characters are stripped of certainty, the audience, too, is left questioning who can be trusted. The film’s infamous blood test scene, a masterclass in suspense, exemplifies how Carpenter manipulates audience expectations, delivering one of the most shocking and memorable moments in horror history.
The Lasting Legacy of The Thing
Decades after its release, The Thing has not only endured but thrived. The film’s ability to maintain relevance and continue scaring new generations speaks volumes about its craftsmanship. It is regularly ranked among the greatest horror films of all time, often praised for its intelligent storytelling and harrowing practical effects that still hold up today.
In an era dominated by CGI, The Thing is a testament to the power of practical effects in horror cinema. The grotesque, ever-mutating creature designs are as horrifying today as they were in 1982, proving that true terror doesn’t age. Whether it’s the spider-head monstrosity, the distorted human abominations, or the iconic final confrontation, every effect remains an example of great nightmarish artistry.
Why The Thing Remains So Terrifying
The fear of losing one’s identity, of being consumed and replaced without anyone noticing, is a primal terror that resonates deeply. The film taps into the fear of isolation, of not knowing who to trust, and the existential dread of being powerless against an unseen force. Carpenter builds this paranoia masterfully, keeping both the characters and the audience on edge until the final, haunting moments.
Additionally, the film’s setting plays a crucial role in its horror. The Antarctic research station is a frozen tomb, cut off from the outside world. The cold, vast emptiness surrounding the characters mirrors their growing sense of hopelessness. There is nowhere to run, no help coming, and no way to be sure who is human. This oppressive atmosphere makes The Thing not just a horror film, but a deeply immersive experience in psychological terror.
The Perfect Film for a Theatrical Experience
There’s no better way to experience The Thing than in a theater, surrounded by fellow horror fans, immersed in its bone-chilling suspense. Whether you’re a longtime devotee or a first-time viewer, this 4th Friday Fright Night screening offers the perfect opportunity to witness Carpenter’s masterpiece in all its terrifying glory.
For horror enthusiasts, this is not just another movie night—it’s an event. Seeing The Thing in a darkened theater amplifies its creeping dread, making every shadow seem alive and every quiet moment unbearably tense. The claustrophobic setting of the research station mirrors the enclosed atmosphere of the theater, drawing audiences deeper into the film’s icy grip.
Don’t Miss The Thing
If you love horror, sci-fi and just movies in general, don’t miss this… March 28, at 9:45 p.m. at the Cameo Art House Theatre. Tickets can be purchased at the box office or online by visiting https://ticketmesandhills.com/events/the-thing-1982-fourth-friday-fright-night-3-28-2025. The horror, the paranoia, and the spectacle await. Will you be able to tell who’s still human? Or will you, too, fall victim to The Thing?

Celebrate music, education at FSO's Side-by-Side Concert

11aFayetteville Symphony Orchestra is proud to present its annual Side-by-Side Concert with the Fayetteville Symphony Youth Orchestra on March 30 at Methodist University's Huff Concert Hall.
This inspiring event showcases the incredible talent of young musicians performing alongside seasoned professionals, creating a unique and enriching experience for all.
The Side-by-Side Concert is a testament to the hard work and dedication of the students and music educators in the community. Under the leadership of Music Director Stefan Sanders, students from the FSYO will perform alongside their mentors in the FSO.
This collaboration not only highlights the students' growth but also provides a memorable learning experience as they share the stage with professional musicians.
The FSYO, led by FSYO conductor Daniel McCloud, meets weekly to prepare for this and other performances throughout the school year. These rehearsals, guided by members of the FSO, allow young musicians to tackle challenging and musically fulfilling pieces.
As McCloud notes, "One of the most exciting aspects of co-conducting the youth orchestra is getting to work with some of the most talented youth in our area."
The concert will begin with the FSO performing selections independently, setting the stage for an evening of musical excellence. Following this, the FSYO and FSO will come together for a collaborative performance that promises to inspire and delight audiences of all ages.
This event is more than just a concert, it's a celebration of the power of music education and the incredible potential of young musicians. Don't miss this opportunity to support the arts and witness the magic of mentorship and collaboration in action.
Doors open at 3 p.m. and the performance begins at 4 p.m. at the Huff Concert Hall at Methodist University.
Tickets are $5 for students and $10 for adults. They can be purchased online at https://www.fayettevillesymphony.org/, by calling the FSO office at 910-433-4690, or at the door the day of the concert.
Join the FSO on March 30 to experience the joy and passion of the Side-by-Side Concert. Whether you're a music enthusiast, a supporter of education, or simply looking for an enriching evening out, this event is not to be missed.

(Photo: he Fayetteville Symphony Orchestra will be holding their Side-by-Side concert, March 30. This concert brings young musicians together with seasoned professionals in one special evening. Photo courtesy of Fayetteville Symphony Orchestra Facebook page)

Gilbert Theater's "Stop Kiss" explores love, violence

11Love, violence, hate. Stop Kiss, the latest production at the Gilbert Theater, is the story of two women who in the aftermath of an unspeakable act of violence, grow closer and realize that their love is stronger than the hate the world has to offer.
Written by Diana Son, Stop Kiss, is a full-length comedic drama that jumps between the past and present to tell the heartwarming love story of Sara and Callie. Opening night for the production is Friday, March 21 at 8 p.m. with shows running March 21 through March 23, March 28 through 30, and April 4 through 6. Friday and Saturday shows start at 8 p.m. and Sunday shows begin at 2 p.m. Tickets can be purchased online at https://ci.ovationtix.com/36002/production/1206177 or at the Gilbert Theater box office located at 116 Green St. or by calling 910-678-7186.
Local seasoned stage manager, writer, theater teacher and Fayetteville Pride Festival Director, Brian Adam Kline is at the helm as director for this production. Kline is no stranger to the Gilbert, and this is his ninth production with the theater. Kline first started at the theater under the leadership of Robin Parrish in 2012.
“Matt Lamb, the interim Artistic Director, came to me and asked me if I wanted to come on for a show. I said yes. I was excited to be a part of it,” Kline said. As the director, one of the most important jobs is casting, and it was important to get this casting right.
“We did a really good job on finding the right people for the show. It’s made my job really easy because they do their homework. They come in, I might give them notes about where to stand and sit. The emotional arch that they reach, they come in prepared. You know they say that a lot of times when you have a really good cast, ninety percent of your job is already done. And that’s true with this show.”
The youthful and energetic cast are eager to bring Stop Kiss to the stage and tell this story of Queer love. Sydney Dukic, an Eastern Carolina University graduate and social studies teacher, is taking on one of the main character roles, Sara. Dukic has been away from the theater for a while and is elated to bring the character of Sara to life in her grand return to the stage and what better way to do that, than with a production like Stop Kiss?
“I think what drew me to audition for this particular role is the obvious of me just wanting to get back into the theater world, but also being as someone who is a part of the LBGTQ+ community, I just think that this is such an important story to share with the world, especially with everything going on today. I think it’s even more important and necessary,” Dukic said.
Sharing the stage with Dukic in the role of Callie is Greensboro College graduate Dina-Marie. New to the area, but not new to the stage, Dina-Marie brings with her time and experience with the Raleigh Little Theater. She is as equally committed to telling this story with authenticity and embodying the spirit of her character on stage.
“I just think that this is such an important story to share with the world… [I think] this story has just a beautiful and captivating way of saying such an important message. I’m very proud to be a part of it,” Dina-Marie said.
The whole cast was moved by the story and message of the script. They have each worked tirelessly to bring a moving and captivating show that will take the audience through a range of emotions.
“Even though the show is about a hate-fueled attack on two women, ultimately it is about queer love and it’s about queer love despite the hate… I want [people] to come and expect something joyful despite,” said Mackenzie Ulibarri who plays Mrs. Winsley. Stop Kiss is a complex story of love and how it exists alongside anger and sadness.
“It’s a powerful and moving play about connection, courage, pain, and love," said Kline.
Editor's note: Since the interview for this article, Matt Lamb has been named as the official Art Director for the Gilbert Theater.

Step into the world of Disenchanted princesses

17The question has been asked many times. A princess finds herself in a situation with a problem to solve and sometimes, or most of the time, ends up falling in love. Love at first sight is the common thread of many of the tales of Disney princesses.
But what happens after happily ever after?
This is a question that Jonathan Van Dyke and others are hoping to address with their production of “Disenchanted,” a musical comedy, which will be performed at the University of North Carolina at Pembroke on Friday, March 21 at 7:30 p.m.
“Disenchanted is the story of the princesses and what happens after … it is funny, honest, irreverent and poignant as much as real life is,” says Van Dyke.
Van Dyke is the director and co-producer with Marcie Gorman on the production. The story will follow Snow White, Cinderella and Sleeping Beauty hosting a Princess Variety Hour and feature many more princesses. The audience will come to know the real story of what happened to these princesses.
One such princess, in character form, is Actress Kat Gold. She plays both Hua Mulan and Rapunzel in the production. For Gold, it's a chance to play two very different characters in one production.
“Mulan goes through a self-discovery journey in this show realizing why she isn’t like the other princesses. Rapunzel, on the other hand, is a very stern lady who refuses to be Americanized and commercialized like the other storybook princesses.”
And just like each princess has their own problems and story, each comes with their own musical style. The show will go from contemporary pop sounds to country to traditional musical theatre “show-stoppers.” Gold said her favorite part of the show is singing “Without a Guy.”
“As mixed queer kid, I never felt like I quite fit in and getting to sing this song really hits me hard,” Gold says.
The songs, according to Van Dyke, are all hits and he hopes the members of the audience will go out humming a different tune. The show pulls in a strong female empowerment theme but Van Dyke wants people to know that it’s enjoyable for anyone.
“This show is for everyone. Humanity is at the core of Disenchanted and delivered in a highly entertaining way,” he says. “It’s laugh-out-loud funny from start to finish but it is deceptively layered with many poignant elements that deliver all the feels.”
He expects both laughs and maybe some tears from the audience.
“There are … a variety of messages to think about.”
Disenchanted is a true production with lots of travel involved. Along with that, there are always some challenges. The cast will perform in new venues consistently and end up in new towns. But Van Dyke and the others take this in stride.
“There are always adjustments to be made and some quick thinking,” he says.
In the end, Van Dyke says, they always figure it out and the show will go on. All this work they and the others have put in is worth it in the end.
“We hope that the audiences at Givens leave uplifted with a new sense of understanding of these princesses and themselves,” he says.
The show will take place at Givens Performing Arts Center on Friday, March 21 at 7:30 p.m. Tickets range from $25-$35. Tickets and more information for Disenchanted can be found on the website at www.uncp.edu.

(Photo courtesy of Givens Performing Arts Center)

Sweet Tea Shakespeare's original production: "Pan"

9For many people, “Shakespeare” does not always conjure up the most positive emotions. They assume that the language will be too difficult to understand, that the old stories will be stuffy and unrelatable, and that they generally won’t enjoy the experience.
Sweet Tea Shakespeare is here to challenge those assumptions. The local theatre company has been telling classic stories in unique and original ways since 2012.
While Sweet Tea Shakespeare certainly brings Shakespeare’s centuries-old plays to life for their 21st-century audience, they also tell other classic stories. Their next production tells a familiar story with a modern twist. Pan is an updated retelling of the classic J.M. Barrie tale of Peter Pan, written by Sweet Tea Shakespeare’s founder and Director of Mission, Jeremy Fiebig.
In the beginning of the play, we meet Gwendolyn, Gwendy or Wendy for short, a military kid whose dad is deployed…again.
This time is different, though, because he has been declared missing in action. Wendy, played by Carsyn Harkey, is reserved and serious in the beginning, feeling a responsibility for her mom and her younger brothers. When Peter crashes into her yard and her life, her typical teen angst begins to melt into the whimsy of Neverland. The gang's all here as we are introduced to Neverland: Tinkerbell, Hook, Smee, and of course the Lost Boys.
Traycie Kuhn-Zapata, Artistic Director of STS and this production’s Tinkerbell, describes the depiction of the two worlds of Pan as a Wizard of Oz moment.
Act 1 is primarily in Wendy’s real world, with all the worries and stress that come with it. Act 2 contains the magic and adventure of Neverland.
According to Harkey, there is a wide range of emotions experienced by those who are part of the story: “One minute you’re laughing, the next there are tears in your eyes.”
As with all Sweet Tea Shakespeare productions, Pan includes a mix of veteran actors who have been involved in past STS shows, alongside novices who are stepping onstage for the first time. One unique element of Pan is the collaboration with Sweet Tea’s youth theatre company, called Green Tea.
Participants in Green Tea usually produce their own play, but in this case, they get to work alongside adults, all of them learning from each other. According to Izaiah Zapata, the play’s director, the kids, ranging in age from 9-18, “Bring a lot of fun ideas to the table,” a fresh perspective and unique energy that only young actors can. Sweet Tea has always worked to create high-quality theatre while also being a safe space for artists to learn and grow in their craft; to be free to try new things without the pressure of always being perfect.
Pan will be performed at the Poe House, part of the Museum of the Cape Fear complex at 206 Bradford Ave.
The performances will be outside and audience members may bring their own blankets and chairs to set up on the lawn of the historic house. Not to worry, chairs and blankets will also be available for rent if needed. Light refreshments and beverages will be available for purchase, as well as a line-up of food trucks on hand at each performance if patrons would like to make it a full “dinner and a show” experience.
While tickets can be purchased “at the door,” it is best to buy tickets in advance. Even though seating is open, there are a limited number of tickets. Discounts are offered for advance tickets; ticket holders will also be informed of any change of venue, should NC’s unpredictable spring weather necessitate a change. As with all Sweet Tea productions, pre-show music will begin at 6:45 p.m. with performances by the company that are thematically tied to the play. The play itself will begin promptly at 7:30 p.m. Audiences are encouraged to arrive early to ensure the best seating.
Pan promises to be a night of whimsical entertainment for the whole family. Showings will be held April 3 through 6, and April 10 through 13. Join the Sweet Tea Shakespeare company, along with Green Tea, to explore an age-old story in a fresh, new light.

(Photo:In order from Left to Right: Olivia Sundeen, Mike Canino, Alexis Robinson, Val Humphrey, and Michaiah Moore play the pirates in Pan. Photos courtesy of Sweet Tea Shakespeare)

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